As Oscar season kicks into gear, Animation Magazine caught up with some of the talented directors who helped bring the year’s most compelling animated...
September/October 2019 Issue No. 293 Director Jill Culton and the team at DreamWorks/Pearl discuss the making of Abominable. A faithful dog is the center...
Digital Television Russia is a multiscreen media company that focuses on kids' entertainment regionally and globally. In just two years DTR has become the...
August 2019 Issue No. 292 Dissecting the cutting-edge visual effects and virtual production pipeline of Jon Favreau’s The Lion King. Director Lino DiSalvo discusses...
The dynamic relationship between design and technology continues to push creatives to new heights, with each element feeding off the other to present artists...
What happens when a love of eerie point-and-click adventures, a youthful obsession with special effects animation and a disorienting airplane experience combine? As series...
Chaos Group has released V-Ray for Houdini, a production-proven renderer built for high-end VFX and animation projects. Artists can now assemble their scenes in...
June/July 2019 Issue No. 291 The Cowboy and the Shepherdess Find out all the details of Disney/Pixar's summer blockbuster Toy Story 4. A Paw-sitively...
This month, we had a chance to chat with Sarah Smith and Julie Lockhart, founders of London-based Locksmith Animation, which specializes in making CG-animated...