Author: Ryan Ball

  • Cars Takes Critics’ Choice Award

    The animated Oscar race is heating up as Disney/Pixar’s Cars takes another award under its drive belt, this time receiving the Best Animated Feature award during Broadcast Film Critics Association’s 12th Annual Critics’ Choice Awards. In addition, Paramount’s Charlotte’s Web was named Best Family Film (live action) during the event, held Friday night at the Santa Monica Civic Auditorium in California.

    Warner Bros./Village Roadshow’s Happy Feet was looking like a shoo-in to take the Academy Award this year after earning a number of awards from critic groups from coast to coast. Now, fresh off its People’s Choice Award win, Cars is poised to run a tight race. Happy Feet was also nominated by the Broadcast Film Critics Association, as were DreamWorks/Aardman’s Flushed Away, Sony’s Monster House and DreamWorks’ Over the Hedge.

    Broadcast critics named Warner Bros.’ The Departed Best Picture and honored Martin Scorsese with Best Director for his work on the film. However, Fox Searchlight’s Little Miss Sunshine garnered the most awards, taking Best Acting Ensemble and earning individual kudos for scribe Michael Arndt (Best Writer) and cast members Paul Dano (Best Young Actor) and Abigale Breslin (Best Young Actress). A full list of winners and nominees can be found at www.bfca.org/NomineesWinners.asp.

    Cars, Happy Feet and Sony/Columbia Pictures’ Monster House will compete for Best Animated Feature Film tonight during the 64th annual Golden Globes, taking place tonight, Jan. 15, at the Beverly Hilton Hotel in Beverly Hills. NBC will broadcast the event live starting at 8 p.m. EST.

  • Globes Go to Cars, Happy Feet

    Anthropomorphized automobiles and penguins got some love Monday night as the Hollywood Foreign Press Association presented the 64th Golden Globe Awards. Disney/Pixar’s Cars rolled off with the very first Globe for Best Animated Feature while Warner Bros./Village Roadshow’s Happy Feet danced away with Best Original Song for ‘Song of the Heart’ (music and lyrics by pop star Prince). The kudos were handed out at the Beverly Hilton Hotel in Beverly Hills.

    Cars took the top toon award over Happy Feet and Sony/Columbia Picture’s Monster House. Director John Lasseter accepted the award, thanking the Hollywood Foreign Press for creating a category for animated features. ‘Animation is awesome!,’ he enthused. ‘It’s my life, I’ve lived it and it’s so exciting to have its own category.’ He went on to thank the association for giving the award to Cars. ‘It’s been six years of a passion of mine for this movie. This movie is about a very important lesson that we’ve all experienced, which is life is about the journey and not the destination. I learned that from my wife, Nancy, and my five boys.’

    The decision to recognize animation with its own category came after members voted on the matter in Decmber of 2005. “Animated features have become an important component of the studio lineup so there was an overwhelming consensus that this new category be created,” Hollywood Foreign Press Association president Philip Berk said at the time. Since there was no dedicated animation category in 2004, Pixar’s The Incredibles was lumped in with a field of live-action films in the category Best Motion Picture (musical or comedy). That particular award went to Martin Scorsese’s The Aviator.

    In the Best Song category, the Happy Feet tune was up against entries from the live-action features Dreamgirls, The Pursuit of Happyness, Bobby and Home of the Brave. Prince was not on hand to receive the award, so presenter Justin Timberlake accepted on his behalf, crouching below the microphone to poke fun at Prince’s diminutive stature.

    A full list of 2007 Golden Globe winners can be found at www.hfpa.org.

  • MGM Makes Stargate Movies

    MGM announced today that it has greenlit two feature-length productions that extend Stargate SG-1, the popular sci-fi series that originated on Showtime and recently ended its run on the SCI-FI Channel. The films, Stargate: The Ark of Truth and Stargate: Continuum, are being made for television and home video distribution.

    Stargate SG-1 is to MGM Television what the James Bond, Pink Panther and Rocky franchises are to our feature film unit,” says Charles Cohen, senior exec VP of MGM. “We are committed to continuing to release new SG-1 content and its Stargate Atlantis spin-off, and we’re also steadfast in our dedication to extending the franchise. Stargate is an indelible brand for MGM and we will support it well into the future.”

    Based on the 1994 theatrical release titled Stargate, the series first aired in 1997 with Richard Dean Anderson taking over Kurt Russell’s role of Major General Jack O’Neill, a soldier chosen to lead interstellar missions using an ancient portal discovered in Egypt. Late in the series’ run, Anderson stepped aside to let Farscape stars Ben Browder and Claudia Black bring a fresh vibe to the show.

    Browder, Black and fellow SG-1 cast members Amanda Tapping, Christopher Judge and Michael Shanks are all confirmed to return for both movies, which are being written and produced by series scribes Brad Wright and Robert Cooper.

    Cooper will direct Stargate: The Ark of Truth, which will bring a conclusion to the Ori conflict that has dominated storylines of the past two seasons of the series, leaving the team free to embark on new adventures in Stargate: Continuum. In the second film, Teal’c and Vala inexplicably disappear into thin air and Carter, Daniel and Mitchell must race back to a world where history has been changed and the Stargate program has been erased from the timeline. As they try to convince the authorities of what is happening, a fleet of goa’uld motherships arrives in orbit and threatens to enslave the human race.

  • Weak Bows for Arthur, Primeval

    MGM and The Weinstein Co. debuted Arthur and the Invisibles in wide release in North America over the weekend but only got a small piece of the box office action. Budgeted at around $86 million, Europe’s most expensive animated production ever earned an estimated $5.8 million domestically to bring its worldwide gross to approximately $43.2 million. Touchstone’s giant killer crocodile movie Primeval did slightly better, earning around $7 million to edge out Arthur for the No. 8 spot.

    Night at the Museum from 20th Century Fox is still getting the lion’s share of the family audience, earning another $21 million over the weekend to bring its four-week domestic total to around $190 million. Still, the vfx-intensive Ben Stiller comedy dropped to No. 2 as Sony/Screen Gems’ urban dance pic, Stomp the Yard, opened at No. 1 with an estimated $26.4 million.

    After three weeks at No. 2, Sony’s The Pursuit of Happyness dropped a notch to third place with around $11 million, elevating its five-week cume to approximately $138 million. DreamWorks’ Dreamgirls and Paramount’s Freedom Writers round out the top five with estimated takes of $10.2 million and $8.7 million, respectively.

    Movies made specifically for kids and families are having a tough time at the box office in the wake of Warner Bros.’ Happy Feet, which is still in theaters and has made an estimated $188 million in North America to date. Paramount’s $85 million CG-laden adaptation of E.B. White’s Charlotte’s Web has yet to break even in domestic receipts since opening five weeks ago and Lionsgate’s CG-animated feature Happily N’Ever After has only managed around $12 million, slipping from No. 6 to No. 11 in its second week.

  • VES Hosts Show & Tell Saturday

    Artists from many of the top visual effects studios will gather at the Skirball Cultural Center in Los Angeles on Saturday, Jan. 13, to show off their nominated work at the Visual Effects Society’s annual Show and Tell program. VES members and the general public are invited to attend the day-long event and view presentations of vfx sequences nominated for this year’s VES Awards.

    Following the 8:30 a.m. breakfast, presentations will get underway at 9 a.m. and continue until 4:30 p.m. Lunch will be served at noon. The Presentations will be made in the following categories: Outstanding Visual Effects in a Visual Effects Driven Motion Picture, Outstanding Supporting Visual Effects in a Motion Picture, Outstanding Visual Effects in a Broadcast Series, Outstanding Supporting Visual Effects in a Broadcast Program, Outstanding Visual Effects in a Commercial, Outstanding Real-Time Visuals in a Video Game, Outstanding Created Environment in a Live-Action Motion Picture and Outstanding Created Environment in a Live-Action Broadcast Program, Commercial or Music Video .

    Attendance is free for VES members. Non members can get in for $20 and students are welcome at the admission price of $10 (with valid ID). To purchase tickets or RSVP, contact Lynda Curland at the VES office via email at mailto:lynda@visualeffectssociety.com or call 818-981-7861. The Skirball Cultural Center is located at 2701 Sepulveda Blvd. in Los Angeles, 90049.

    Final voting for all categories will take place via an online view-and-vote between Jan. 22 and Feb. 6. Winners will be announced at the 5th Annual VES Awards gala on Feb. 11 at the Kodak Grand Ballroom in Hollywood. A complete list of all the nominees is available on the VES website at www.visualeffectssociety.com.

  • Davis to Produce for Cookie Jar Ent.

    In its continuing efforts to expand its slate of original animated productions, Cookie Jar Ent. has tapped Christine Davis to be its newest in-house producer. Reporting to VP of production Pamela Slavin, Davis will operate out of Cookie Jar’s Toronto headquarters and will be responsible for producing new series for the company.

    Davis has been working as a producer for more than 20 years and counts among her credits such projects as Little People, The Newsroom, The Wrong Coast, Anne: Journey to Green Gables, Anne of Green Gables, Bruno and Sesame Stories.

    Prior to joining Cookie Jar, Davis served as head of animation, new media, marketing and design for Sullivan Ent. Inc. She also produced stop-motion and flash animation for Cuppa Coffee Animation, and made numerous commercials at Animation House.

    Cookie Jar Ent, Inc., Cookie Jar Group’s entertainment operation, is a global, independent producer, marketer and brand manager of such renowned children’s properties as Spider Riders, The Doodlebops, Arthur and Caillou.

  • Discovery Kids Debuts Grossology

    Abby and Ty Archer are special agents who use fascinating and possibly nauseating scientific facts to battle vile villains in Grossology, the new animated series debuting Saturday, Jan. 13, at 6 p.m. (EST) on Discovery Kids. Described by Discovery as a sort of C.S.I for kids, the show blends action, humor and science to solve the mysteries kids really want to know a bout, like why lice take up residence in people’s hair, why our bodies makes boogers and why people pass gas.

    Working for a top-secret government agency known as the Bureau of Grossology, our intrepid agents are aided by the infamous Lab Rat as they face off against criminals too disgusting for the adults to handle. Baddies include Sloppy-Joe, the world’s filthiest thief, and Lance Boil, a former grossologist who has gone to the ‘gross side’ and wants revenge.

    Saturday’s premiere will offer two episodes back to back. First, Abby and Ty will investigate an epidemic of giant, mind-controlling head lice at Ringworm High in ‘Club Parasites.’ The second installment, ‘When Y Gotta Go,’ will find our heroes out to stop Lance Boil as he uses an infrasound ray gun to cause fluctuations in people’s bowels so he can go on a looting spree. Future episodes will have the secret agent siblings taking on mutant hagfish, transformed termites and a giant gas-powered robot named Fartzilla.

  • Toon Disney has ‘Great Toon Weekend’

    Toon Disney is set to kick off its new Saturday and Sunday afternoon block, “The Great Toon Weekend.” Starting Saturday, Jan. 27, the lineup will lead off with Toon Disney’s Big Movie Show at 12 p.m., followed by five hours of programming showcasing popular series based on Disney’s animated feature.

    Following the Big Movie Show, the new afternoon lineup will feature back-to-back episodes of Aladdin at 2 p.m., followed by two-packs of Timon & Pumba, Buzz Lightyear of Star Command, The Emperor’s New School and Lilo & Stitch.

    Disney’s 24-hour animation cable channel enjoyed its highest primetime ratings ever in 2006. The Dec. 22 Toon Disney premiere of Warner Bros.’ The Polar Express was the channel’s most-watched movie ever, attracting 1.35 million total viewers. Overall, viewership for the Big Movie Show feature went up 11% over the previous year among kids 2-11, and by 13% among kids 6-11.

    Toon Disney is advertiser-supported and currently available in more than 59 million U.S. homes and on multiple Toon Disney channels worldwide. Part of the Disney-ABC Television Group at The Walt Disney Co., the channel showcases a variety of Disney’s classic and contemporary animated series and movies, plus action/adventure programming under the Jetix brand.

  • CN offers Weekday Doses of Yu-Gi-Oh! GX

    The Dual Academy will be back in action five days a week on Cartoon Network as back-to-back episodes of the second season of Yu-Gi-Oh! GX air each weekday afternoon starting next week. Beginning Tuesday, Jan. 16, the installments will run at 4:30 p.m. during the Miguzi programming block.

    The latest incarnation of the popular anime series, Yu-Gi-Oh! GX debuted in October of 2005 and is aimed at younger viewers. The series takes place a generation in the future and is set on a secluded island that is home to Duel Academy, the most prestigious duelist training school in the world. For many years, there have been class conflicts as the higher-ranked dorms tease the lower classmen. However, the status quo gets turned on its head ass one of the greatest duelists of all time arrives with the incoming class.

  • Theaters Get Primeval

    Having created fierce lycanthropes for the Underworld films and blood-thirsty subterranean dwellers for The Cave, visual effects studio Luma Pictures takes on a different kind of beast for Primeval, Touchstone Pictures’ new horror movie that opens across North America today. The distributor has been shrewd in its marketing by not revealing who or what the movie’s killer is, and if you don’t want to know yet, don’t read on.

    Touchstone hasn’t held any press screenings for Primeval, but word has gotten around that the pic centers on a 25-foot crocodile named Gustave, which, in real life, is rumored to have killed more then 300 people in South Africa and is still on the loose. The story centers on an American news crew that sets out to capture the prehistoric monster and bring it back alive. Led by actors Orlando Jones, Dominic Purcell and Brook Langton, the group runs into trouble when they cross paths with a nasty warlord before coming face-to-face with Gustave himself.

    Primeval is directed by Michale Katleman, a TV veteran whose credits include episodes of Smallville and Gillmore Girls, among others. Luma handled the lion’s share of the digital creature effects for the production, which is actually filmed in the area the attacks allegedly took place. It is one of two killer crock flicks making their way to theaters this winter. The other is Rogue from Dimension Films and Wolf Creek director Greg McLean. Set in Australia’s Outback, that hungry-reptile-on-the-loose entry is slated to hit theaters on Feb. 2 and has been generating positive buzz so far.

    Arriving in about a thousand fewer theaters than reigning box office champ Night at the Museum, Primeval has its work cut out for it as it attempts to dethrone 20th Century Fox’s vfx-laden Ben Stiller comedy, which just may stay on top for a fourth week. Other new competitors are Sony/Screen Gems’ urban dance flick, Stomp the Yard and Universal’s Alpha Dog, a true account of a kidnapping starring pop star Justin Timberlake.

    Also, the MGM/Weinstein Co. release of Europacorp’s Arthur and the Invisibles rolls out across North America in wide release today. For more information on the live-action/aniamtion hybrid, go to https://www.dev.animationmagazine.net/wordpress/article.php?article_id=6342.

  • Arthur and the Invisibles Gets Seen

    Arthur and the Invisibles, the English-language version of French filmmaker Luc Besson’s new live-action/animation hybrid feature film, opens wide across North America today. The following is a reprint of the review we ran in December when the film first screened for Oscar consideration. The pic has since been deemed ineligible since the Academy found that it didn’t meet the requirement of being 75% animated. Read on for our thoughts on the movie, which is certainly animated enough for us.

    I’ve been a fan of director Luc Besson’s work since 1990’s La Femme Nikita, and have particularly enjoyed The Professional (L’on) and his sci-fi actioner The Fifth Element. So when I first heard the French filmmaker was working on an animated feature, I was quite curious to see how it turned out. Based on his own series of children’s books, Arthur and the Invisibles (Arthur et les Minimoys) is not without its flaws, but it is visually inventive, well animated by French studio BUF, and is a unique entry in the year’s hefty slate of toon features.

    Arthur and the Invisibles tells the story of a 10-year-old boy named Arthur (Freddie Highmore) who hopes to save his grandmother’s home from being demolished by seeking his grandfather’s treasure, which is hidden in the land of the tiny Minimoys. Having collected clues left behind by his grandfather, Arthur discovers a way into the Minimoys’ world and teams with Princess Selenia (Madona) and her brother, Betameche (Jimmy Fallon) to defeat the evil Malthazard (David Bowie) and retrieve a stash of precious rubies. The English-language voice cast also includes Robert De Niro, Harvey Keitel, Snoop Dogg, Emilio Estevez, Jason Bateman and Chazz Palminteri.

    Like Henry Selick’s James and the Giant Peach, the film begins with a live-action setup featuring Highmore as Arthur and Mia Farrow as his grandmother. When our hero gets ‘Minimoyzed’ he becomes CG-animated like everything else in the Minimoy world. Most of the action from here on is animated, but Besson cuts back to Farrow from time to time as she searches for Arthur around the house and fends off a greedy land developer. Some of the supporting live-action performances are over-the-top and cartoonish, which some adults might cringe at. However, the film doesn’t talk down to adults and taps into a universal desire to believe that there are places left to be discovered on this planet, magical worlds existing in a delicate balance with our own.

    Warner Bros.’ Ant Bully also centered on a kid who gets shrunken to learn what life is like for the tiniest of creatures that roam our backyards, but that’s where the similarities end. Arthur draws more form Arthurian legend and sci-fi favorites such as George Lucas’ Star Wars, Jim Henson’s The Dark Crystal and Besson’s own The Fifth Element. Arthur isn’t a reluctant hero, but rather a consistently brave and gung-ho adventurer with a big heart and a lot on the line, literally.

    Budgeted at around $80 million, the film is the most expensive European animated feature to date, and the money is on the screen in the form of beautifully rendered animation and a generous amount of action, one of Besson’s strong suits. Since the movie was dubbed over in English, the lip-sync is a bit off at times and the voice performances often seem a bit shoe-horned to match the lip movements, but it’s doubtful that kids will even notice or care. Most will be swept along with the film’s zippy pace and its well-balanced blend of humor and suspense. Despite their 3D modeling, the characters are fairly one-dimensional but they’re likeable enough that you care what happens to them.

    Besson has plans to make at least two sequels, and hopefully he’ll iron out some of the rough spots and develop the characters a bit more. Despite their 3D modeling, the Minimoys in this first film are all fairly one-dimensional, but they’re likeable enough that you care what happens to them.

    Arthur and the Invisibles is produced by Europacorp in co-production with Avalanche Prods. and Apipoulai Prods., and is distributed by MGM and The Weinstein Co. It may not be on par with such recent hits as Pixar’s Cars, DreamWorks’ Over the Hedge and Flushed Away or Warner Bros.’ Happy Feet in terms of overall execution, but it’s at the forefront of a coming wave of competitive toons made outside the Hollywood system. Furthermore, it feels fresh at a time when theaters are filled to the brim with talking animal comedies and certainly deserves a look.

    Ryan Ball

    Online Editor

  • Universal, Planetwide Debut Smokin’ Aces Comic

    Universal Pictures and Planetwide Media are launching a digital comic book based on the upcoming action feature Smokin’ Aces from writer/director Joe Carnahan (Blood, Guts, Bullets and Octane). Featuring six stories written by Carnahan, the comic will be available at www.SmokinAces.net, the official website of the film, which hits theaters in North America on Jan 26.

    The Smokin’ Aces comic book is a 30-page digital flip book that was created using Planetwide’s Comic Book Creator, a software application that allows anone to make their own comics. Intended for amture audiences, Smokin’ Aces stories, along with a selection of user-generated digital comics, can be viewed and shared through Planetwide’s Digital Media Reader at http://www.Hypercomics.com, the company’s social community for comic book creators and fans of comics.

    The Smokin’ Aces movie stars Jeremy Piven as Buddy ‘Aces’ Israel, a sleazy magician and small-time con who has agreed to turn state’s evidence against the Vegas mob. The mob in turn puts a million dollar bounty on his head, luring an array of contract killers and opportunistic low-lifes to Buddy’s Lake Taho hideout with murderous intentions. The film features an ensemble cast led by Ben Affleck, Andy Garcia, Ray Liotta, Ryan Reynolds, Peter Berg, Taraji Henson, Chris Pine, Martin Henderson, Jason Bateman, Alicia Keys and Common.

  • Aardman Warms to Cockle for Development

    As Aardman Animations works to expand its in-house television production operations, the Academy Award-winning toon studio has hired Jackie Cockle as a development producer with special responsibility for programming aimed and kids preschool aged and younger. Cockle most recently served as managing director of Hot Animation, where she produced and directed such hit series as Bob the Builder, Pingu and Rubbadubbers.

    Prior to setting up Hot Animation in 1997, Jackie was a producer and director at Cosgrove Hall Films, where her credits included Rocky and the Dodos, Oakie Doke, Noddy and The Wind in the Willows. She was also an animator on Cinderella and Chorlton and the Wheelies.

    Aardman’s current TV production slate includes the Wallace & Gromit spin-off Shaun the Sheep for CBBC, the American version of Creature Comforts for CBS, Chop Socky Chooks for Teletoon and Cartoon Network and Planet Sketch for CiTV.

  • G4 to Swing with Code Monkeys

    Daily Variety reports that video-game centric cable network G4TV has ordered 14 episodes of Code Monkeys, an animated series from Adam de la Pena, creator of Adult Swim’s Minoriteam and Comedy Central’s Gary Busey reality show I’m With Busey. Designed to look like a 1980s Super Nintendo video game, the toon comedy is set to air this spring.

    Code Monkeys will follow the surreal adventures of an oddball group of 1980s game designers led by two guys named Dave and Jerry. The series will make references to classic games and will feature late president Ronald Reagan as a recurring character. The look of the show is similar to that of Empire Square, a British animated series that made its U.S. debut on cable music channel Fuse in 2005. Created by Blur drummer Dave Rowntree and music industry insiders Ant Cauchi and Lloyd Salmons, that program also mimics the blocky graphics of more video games from several generations back.

    Producing through his Monkey Wrangler Prods., de la Pena is writing and directing episodes of the show and is also voicing the lead character. He is also reportedly developing another animated series titled Think Tank for Fox Broadcasting Corp. Co-written by Andy Sipes and Matt Mariska, the show will revolve around members of a mysterious organization that has been orchestrating pop culture for the past 50 years. De la Pena’s previous writing credits include a stint on Comedy Central’s puppet prank call series Crank Yankers.

  • Alliance Atlantis Acquired by CanWest

    CanWest Global Communications Corp. has entered into a definitive agreement to acquire TV broadcaster/distributor Alliance Atlantis Communications Inc. Together with GS Capital Partners, a private equity affiliate of Goldman, Sachs & Co., CanWest has formed a new acquisitions company that will pay approximately $1.95 billion to take control of all of Alliance’s outstanding Class A voting and Class B non-voting shares. In addition to boasting a lineup of 13 specialty television channels, Alliance Atlantis distributes such animated series as Dragon Booster, Connie the Cow, Henry’s World, Peep and the Big Wide World and Lunar Jim (which it co-produces with the Halifax Film Co.).

    ‘Today’s transaction is consistent with CanWest’s strategy to enhance its existing television business and expand its presence in the fast growing specialty television sector,” Canwest president and CEO Leonard Asper said yesterday. “The combined expertise of CanWest and Alliance Atlantis will enable us to produce even better Canadian content, promote it more effectively and provide greater access to more viewers across more platforms.’

    Alliance’s Class A voting and Class B non-voting shareholders will meet to vote on the arrangement this spring, though shareholders representing approximately 80% of the Class A voting shares have already agreed to vote in favor of the acquisition. The Arrangement is also subject to court approval and other customary conditions, including the receipt of regulatory approvals.

    Under the agreement, Alliance Atlantis’ specialty television business and CanWest’s Canadian television business will be combined and managed by CanWest. The formal combination of the broadcast operations will occur sometime in 2011.

  • Decode Sells Gizmo to YTV

    DECODE Ent. has pre-sold Gizmo, its new animated series in production, to Canada’s YTV. Developed by Singapore’s Scrawl Studios and the Media Development Authority of Singapore (MDA) in co-production with DECODE, YTV and Hong Kong animation company Agogo Ent. Ltd., the sci-fi comedy is scheduled to be delivered this fall.

    Gizmo centers on a dysfunctional crew of alien robots who crash-land in the backyard of two Earthling siblings. DECODE has worldwide distribution rights for the iterantional effort.

    ‘International co-production such as this has helped many of our animation companies level up quickly,’ says Seto Lok Yin, director of industry development for the MDA. ‘Therefore, I am confident that Scrawl will ride on this success and continue to produce quality Made-by-Singapore content.’

    Scrawl previously collaborated with the MDA and Agogo on the 2D-animated series Nanoboy. Decode and YTV recently entered into an agreenment to produce the multi-platform property Urban Vermin, an action comedy about two raccoon brothers who have become fierce competitors in pilfering the neighborhood garbage bins.

    In other Decode news, the company is set to introduce the second season of its hit animated series Franny’s Feet. Produced by DECODE in association with Thirteen/WNET New York, the show about a little girl who walks a mile in other people’s shoes will have its season two premiere on PBS Kids on Feb. 3.

  • Henson Animates Skrumps

    Now that Dr. Teeth and the Electric Mayhem Band have signed with Disney, The Jim Henson Co. is getting a new band together, acquiring rights to the collectible toy and storybook property The Skrumps. The company is developing animated television projects based on the quirky members of a struggling rock band called Grumblebelly.

    Created by John Chandler, the Skrumps are a colorful troupe of Skrumpland residents trying to make it as rockers. Henson is working with existing characters like feisty drummer Skrumpy, and has created new crew members including lead singer Wishbone and his No. 1 groupie, Raisins. Brian Henson, Lisa Henson, John Chandler and Craig Bartlett (“Hey, Arnold!”) will executive produce and Bartlett will also be a writer on the project. of lead singer wishbone, a dreamer with rock star ambitions, Skrumpy, the feisty drummer and Raisins, a smart, sensible tomboy who has a crush on wishbone and tags along on his adventures.

    The Skrumps will be animated using the Henson Digital Performance Studio, the company’s proprietary animation system which allows puppeteers to animate characters in real time. Hey Arnold! creator Craig Bartlett is writing the television program and will also serve as exec producer, along with Brian Henson, Lisa Henson and John Chandler.

    In addition to bringing the property to television, The Jim Henson Co. plans to launch it across all media including the Internet and ancillary platforms including merchandising and publishing. For a limited time, audiences can now meet the characters, send e-cards, download coloring pages and see the world premiere of their rock video, directed by Brian Henson, exclusively at Yahoo! Kids (www.yahookids.com). The three main characters even have their own blogs at the site.

    “When you create something like The Skrumps, you hope that people will see them in the same light as other beloved characters in popular culture,’ Chandler comments. ‘I couldn’t be more pleased to see that The Skrumps have found a home at The Jim Henson Co.”

    “The Skrumps have a great new look that is very striking,’ adds Lisa Henson. ‘Each character has its own quirky personality with a rich background and they all share strong relationships that feel quite real. In this way, The Skrumps demonstrate the very same qualities that have defined our company’s strongest character groups.’

    The company recently launched The Jim Henson Company’s Puppet Up!‘ Uncensored,’ a live puppet improvisational show that has played to sold out crowds in Aspen, Hollywood and Edinburgh, and premiered as a special on cable network TBS. The Company has also announced the creation of Jim Henson Designs, a merchandise collection inspired by Jim Henson’s earliest sketches. More information on the company can be found at www.henson.com.

  • Cars, Pirates, Simpsons Nab People’s Choice Nods

    Disney/Pixar’s Cars took top family film honors, Disney’s Pirates of the Caribbean: Dead Man’s Chest was voted the best movie and Fox’s The Simpsons took the award for TV animation on Tuesday night during the 33rd Annual People’s Choice Awards. The CBS network aired the broadcast, which honored fan favorites from the worlds of film, television and music.

    By public Internet voting, viewers chose Cars from the 15 animated feature films that arrived in North American theaters this year in both wide and limited release. Starring the voices of Owen Wilson, Paul Newman, Larry the Cable Guy and host of other celebrities, the CG-animated adventure-comedy about anthropomorphized automobiles was 2006’s top-grossing domestic toon release, though Fox’s Ice Age: The Meltdown earned more worldwide. Warner Bros.’ Happy Feet, another one of the year’s top earners, has taken the most awards from critics’ associations but apparently wasn’t quite as popular as Cars with the fans who voted online. Cars also just received the Golden Tomato Award for animation from rottentomatoes.com, a website that compiles critical opinions from various outlets and rates films as either ‘fresh’ or ‘rotten’ based on the number of positive reviews they receive. Cars got a 76% fresh rating, just nudging out Warner Bros.’ Happy Feet. The latter currently has a 77% fresh rating, but since the film opened late in the year, some of those favorable reviews weren’t counted in the 2006 frame.

    In addition to winning Best Movie, the blockbuster Pirates sequel was named the top drama pic and garnered three awards for Johnny Depp, who took both Best Male Star and Best Male Action Star and shares the award for Best On-Screen Match-up with co-star Keira Knightley.

    Despite tough competition from fellow fan favorites such as Fox’s own Family Guy, The Simpsons remains an awards-season favorite. The long-running show from creator/exec producer Matt Groening dominates the animation category among nominees in this year’s Writer’s Guild Awards, taking place in New York on Feb 11. In 2006, the series picked up its ninth Emmy for Outstanding Animated Program and is currently in its 18th season with no sign of stopping.

  • Madonna Brings Arthur to NY Schools

    Pop icon Madonna, who voices the animated female lead in the English-language version of director Luc Besson’s new family feature Arthur and the Invisibles, will host a special screening of the film Thursday afternoon for some lucky students in New York City. She’ll be visiting two charter schools that are supported by Robin Hood, KIPP (Knowledge is Power Program) and Achievement First, giving kids an advance look at the movie before it opens in North American theaters on Friday, Jan. 12.

    In the movie, Madonna voices the role of Princess Selenia, a feisty Minimoy living in a secret world of tiny people that Arthur discovers as he’s seeking a treasure that will allow his grandmother to keep her house. Other big-name actors lending their voices to the production include Robert De Niro, Jimmy Fallon, David Bowie, Emilio Estevez and Snoop Dogg. The film blends CG and live action and is based on Besson’s own best-selling children’s book, Arthur and the Minimoys. It is produced by Europacorp in co-production with Avalanche Prods. and Apipoulai Prods., and is being distributed by MGM and The Weinstein Co.

    Robin Hood fights poverty in New York City by finding, funding and partnering with more than 200 of the most effective programs and schools in the city’s poorest neighborhoods. In 2006, the program invested more than $76 million in core programs and schools, and committed $66 million to capital projects to help poverty-stricken New Yorkers build better lives for themselves and their families. Robin Hood has been working closely with the KIPP network, which works to improve teaching and student performance and currently has 52 schools nationwide, including four middle schools in New York City.

    Achievement First is a network of public charter schools. Co-founded and led by Yale law graduate Dacia Toll, the organization educates approximately 900 students in New York and New Haven, Connecticut.

  • Nick Gets Casual with MumboJumbo

    Nickelodeon has teamed with Dallas, Texas-based online video game developer and publisher MumboJumbo to create a line of casual games based on Nickelodeon and MTVN Kids and Family Group brands including the animated series Avatar: The Last Airbender and popular youth website Neopets. The companies plan to publish three titles in the coming year, and have already released Charlotte’s Web: Word Rescue in conjunction with the debut of the new film from Nickelodeon Movies/Walden Media/Paramount Pictures.

    Charlotte’s Web: Word Rescue is a word puzzle game that revolves around the beloved characters created by children’s author E.B. White. Gamers are charged with the task of weaving letters, constructing words and solving phrases to help Charlotte spin her wise remarks in order to advance Wilbur the pig in his journey from the Zuckerman Farm to the County Fair.

    The Charlotte’s Web game is available through MumboJumbo’s extensive network of online game portals, including MumboJumbo.com, and on NickArcade.com. The Avatar and Neopets titles will be released sometime in second quarter of this year.