[the_ad_placement id="billboard"] [the_ad_placement id="billboard-preview"]

Trevor Hogg

86 POSTS0 COMMENTS

Top Stories

Simulating an Imperfect Reality: VFX Supe Dan Glass Details ‘The Matrix Resurrections’

Trevor Hogg - February 21, 2022

***This article originally appeared in the March '22 issue of Animation Magazine (No. 318)*** With the current advances in virtual reality, real-time rendering and AI,...

Top Stories

‘Moonfall’: Roland Emmerich & VFX Supe Peter Travers Discuss Their Latest Disaster Epic

Trevor Hogg - February 15, 2022

***This article was written for the April '22 issue of Animation Magazine (No. 319)*** During the mid-1960s and early 1970s, the Moon was the center...

Top Stories

‘Nightmare Alley’: Dennis Berardi on Crafting a Carnival of Souls for del Toro’s Noir Showpiece

Trevor Hogg - December 20, 2021

***This article was written for the February '22 issue of Animation Magazine (No. 317)*** Nightmare Alley is a departure of sorts for fantasy-horror master Guillermo...

Top Stories

An Early Look at the VFX Oscar Race

Trevor Hogg - December 10, 2021

***This article originally appeared in the January '22 issue of Animation Magazine (No. 316)*** With no magical crystal ball available and lacking the ability to...

Top Stories

Conjuring Visual Magic: ‘The Wheel of Time’ Delivers an Epic Fantasy in VFX

Trevor Hogg - December 3, 2021

The team behind the new adaptation of Robert Jordan’s fantasy series The Wheel of Time are hoping to capture the magic of other epic...

Top Stories

A Monster Evolves: Upping the Visual Ante in ‘Venom: Let There Be Carnage’

Trevor Hogg - October 28, 2021

***This article originally appeared in the December '21 issue of Animation Magazine (No. 315)*** One of the benefits of producing a sequel is that the...

Top Stories

Neill Blomkamp’s ‘Demonic’: Possessed by New Technologies

Trevor Hogg - September 7, 2021

***This article originally appeared in the Sept./Oct. '21 issue of Animation Magazine (No. 313)*** Acclaimed filmmaker Neill Blomkamp (District 9) goes beyond his usual realm...

VFX

The Way of the Samurai: BTS of ‘Snake Eyes’ with VFX Supe Olaf Wendt

Trevor Hogg - August 2, 2021

***This article was written for the August '21 issue of Animation Magazine (No. 312)*** An iconic ninja warrior in the G.I. Joe franchise gets his...

VFX

A Noble Quest: ‘The Green Knight’ Conjures Chivalric Magic Thanks to Weta, Outpost & Maere Studios

Trevor Hogg - August 1, 2021

***This article originally appeared in the August '21 issue of Animation Magazine (No. 312)*** One of this summer's more intriguing fantasies has an unlikely source...

Top Stories

Final Justice: How Weta Digital Supercharged ‘Zack Snyder’s Justice League’

Trevor Hogg - April 12, 2021

***This article originally appeared in the May '21 issue of Animation Magazine (No. 310)*** With the release of Zack Snyder’s version of Justice League last...

Top Stories

Adventures in Zero Gravity: VFX Supes Matt Kasmir & Chris Lawrence Explore ‘The Midnight Sky’

Trevor Hogg - February 16, 2021

Movies about space travel have always provided visual effects artists with opportunities to push the medium in exciting new directions. The new Netflix feature...

Top Stories

Playing the Monster Game: VFX Supe Dennis Berardi Talks ‘Monster Hunter’

Trevor Hogg - January 20, 2021

***This article originally appeared in the February '21 issue of Animation Magazine (No. 307)*** Filmmaker Paul W.S. Anderson extends his relationship with Japanese video game...

Top Stories

How to Build a Better ‘Sonic the Hedgehog’

Trevor Hogg - February 28, 2020

***This article originally appeared in the April 2020 issue of Animation Magazine (No. 299)*** Video-game adaptations have been more of a miss than a hit...

Top Stories

Much Ado About the VFX of ‘Dolittle’

Trevor Hogg - January 20, 2020

Two-time Oscar-winning VFX supervisor John Dykstra shares some of the details of bringing the good doctor’s adventures to life. It seems that every generation deserves...

Top Stories

VFX Jedi Tricks Still Impress in ‘Rise of Skywalker’

Trevor Hogg - January 17, 2020

***This article was written for the March ‘20 issue of Animation Magazine (No. 298)*** When the ninth and final chapter of the core Star Wars...

Top Stories

‘The Witcher’: Crafting All Creatures Great and Monstrous

Trevor Hogg - January 3, 2020

***This article originally ran in the February ‘20 issue of Animation Magazine (No. 297)*** If you guessed that a much-anticipated series based on a supernatural...

Top Stories

Angels and Daemons: Russell Dodgson Reveals the VFX of ‘His Dark Materials’

Trevor Hogg - November 26, 2019

***This article originally ran in the January ‘20 issue of Animation Magazine (No. 296)*** Back in 2007, the dense, richly imagined world of author Philip...

Top Stories

Present Tense: The VFX of ‘Terminator: Dark Fate’

Trevor Hogg - November 19, 2019

Thirty-five years ago, a time travel tale about a malevolent AI trying to eliminate the leader of the human resistance by sending a cyborg...

Top Stories

‘Maleficent 2’: No Rest for the Wicked

Trevor Hogg - October 27, 2019

***This article originally appeared in the December '19 issue of Animation Magazine (No. 295)*** Five years ago, Disney opted to retell the story of Sleeping...

Top Stories

The VFX of ‘Ad Astra’: Envisioning the Retro Future of Space Travel

Trevor Hogg - October 4, 2019

***This article originally appeared in the November ‘19 issue of Animation Magazine (No. 293)*** Forty years ago, Francis Ford Coppola’s Apocalypse Now transferred Joseph Conrad’s...

1 234 5 Page 3 of 5

CONTEST

[the_ad id=”3269751″]

Get the DAILY SCOOP on what's going on in the ANIMATION INDUSTRY

DAILY NEWSLETTER

Most Recent

Features

Trevor Hogg

CONTEST

NEWSLETTER

DAILY NEWSLETTER

Most Recent

NEWS CATEGORIES