Author: Ryan Ball

  • Madden ’95, NHL ’95 TV Games Hit Stores

    Plug & play gaming action hits the gridiron and the ice as EA SPORTS’ Madden ’95 and NHL ’95 are released as part of JAKKS Pacific’s TV Games product line. Both titles are now available in a single controller that connects directly to television sets to offer hours of bone-crushing pigskin play and high-sticking hockey hijinks.

    EA SPORTS TV Games is one of the first TV Games units with built-in memory to allow gamers to save season progress, create a team and store game and team data throughout each season. The release also comes in a two-player unit which allows gamers can go head to head in competition.

    Madden ’95 features 28 League teams, the All-Madden Team and two unlockable teams. Players can choose from more than 70 plays, including 44 Madden-designed defensive strategies, in three game modes–Exhibition, Season and Playoffs.

    NHL ’95 offers five game modes–Practice, Season, Playoffs, Shoot Out and Exhibition Matches. Players can go toe-to-toe in one-on-one showdowns or two-on-two match-ups. The title also allows gamers to trade or create players between teams, or create their own NHL super star to take on the league’s best to claim the Stanley Cup.

    EA SPORTS TV Games retails for around $24.99 for the single controller and $34.99 for the two-player unit. For more information on JAKKS’ TV Games, go to www.jakkstvgames.com.

  • Incredibles, Polar, Spidey Sound Off for Oscar

    With so many eye-popping visuals to keep viewers occupied, it’s easy to overlook the great sound featured today’s animated and vfx-driven motion pictures. It’s good to see, however, that the Academy hasn’t overlooked Disney/Pixar’s The Incredibles, Warner Bros’ The Polar Express or Sony’s Spider-Man 2 when it comes to sound editing.

    All three pics are among seven films being considered for the Achievement in Sound Editing this year. Also in the running are Warner Bros.’ The Aviator, DreamWorks’ Collateral, 20th Century Fox’s The Day After Tomorrow and Universal’s Ray.

    Ten-minute clip reels from each of the seven films will be screened for the Sound Editing Award Committee on January 18. The members will then nominate three of these seven films for Oscar consideration. The nominations will be announced, along with those in 23 other categories, on Tuesday, Jan. 25, at 5:30 a.m. PST.

    The 77th Annual Academy Awards ceremony will be held on Sunday, Feb. 27, at the Kodak Theatre in Hollywood and will be televised live on ABC starting at 5 p.m. PST.

  • God, the Devil and Bob Clash on DVD

    If you blinked at all in the middle of NBC’s 2000 season, you probably missed the very short run of the irreverently funny primetime animated series God the Devil and Bob. Now’s your chance to see all 13 episodes as Fox Home Entertainment finally releases the complete series as a two-disc DVD set.

    God, the Devil and Bob was created by The Wonder Years and Malcolm in the Middle producer Matthew Carlson. As the show begins, the Almighty is upset with the state of mankind and seriously considers wiping the slate clean and starting all over unless he can find one human worth saving. God allows Satan to choose who that one person should be and rough-around-the-edges Detroit autoworker Bob Alman becomes mankind’s last hope for salvation.

    Despite a star-studded cast that included James Garner (God), Alan Cumming (The Devil), French Stewart (Bob) and The Simpsons’ Nancy Cartwright (Bob’s daughter), the show struggled to find an audience right out of the gate. To make matters worse, religious groups upset over the cartoon depiction of God convinced 22 affiliates to refuse to air it and the network canceled the series after just four episodes.

    DVD features include audio commentary on selected episodes, a series overview making-of featurette and a character interview featurette titled Revealed. The disc set lists for $26.98.

    If you like your cartoons a little less controversial, you can pick up SpongeBob SquarePants: Home Sweet Pineapple. The Paramount Home Entertainment release features eight episodes from the first two seasons of the hugely successful Nickelodeon series. Featured installments include “Home Sweet Pineapple,” “Band Geeks,” “Sandy, SpongeBob, and the Worm,” “Ripped Pants,” “Sandy’s Rocket,” “Culture Shock,” “MuscleBob BuffPants” and “Employee of the Month.” The disc offers 95 minutes of Bikini Bottom fun for just $16.99.

  • VFX Sail to DVD in Troy

    Director Wolfgang Petersen’s adaptation of Homer’s The Illiad arrives on home video today complete with a Trojan-horse load of extra features including a feturette titled Troy: An Effects Odyssey. While the film ignored the epic poem’s inclusion of Greek Gods and magic, it does employ a healthy helping of digital wizardry to bring the storied Trojan War to the screen.

    Troy stars Eric Bana, Orlando Bloom, Brad Pitt, Brian Cox, Julian Glover, Diane Kruger, Nathan Jones and Brendan Gleeson as the main players in the bloody tragedy that ensues when Trojan prince Paris (Bloom) steals the beautiful Helen, Queen of Sparta (Kruger), from her husband, Menelaus (Gleeson) and sails back to Troy with her. Pitt steals the show as virtually unstoppable Greek warrior Achilles, whose vengeful wrath leads to a showdown with Troy’s warrior prince, Hector (Bana).

    Framestore CFC, The Moving Picture Co., Cinesite and Lola all contribute effects work to the war effort as the sword-and-sandal epic seeks to vanquish all rental and sales competition. With a price tag of $175 million, the film grossed nearly $450 million worldwide, despite having to compete domestically with DreamWorks’ megahit, Shrek 2.

    The two-disc set also offers a 3D animated guide to Greek myths titled Gallery of the Gods, as well as featurettes on the film’s massive action sequences and production design. The Warner Home Video release carries a suggested retail price of $29.95.

  • Shrek Racks Up $1.6 Billion on Video

    Proving once again that there’s more money to be made in the home video market than at the box office, DVD and VHS sales of DreamWorks’ Shrek and Shrek 2 have surpassed the huge grosses the films reaped at move theaters worldwide. Animation SKG and DreamWorks Home Entertainment report that the 3D animated franchise has generated more than $1.6 billion since its record-breaking inaugural home video launch in 2001.

    Shrek 2, 2004’s top grosser and the third highest grossing feature film in U.S. history, has sold more than 37 million units worldwide since its home vid launch in November of 2004. Domestically, the title brought in $458 million in home video retail revenue and has also smashed records abroad. It is on track to become the biggest home video release of all time in Australia, New Zealand and Mexico, and the best-selling DVD of all time in Brazil and the U.K.

    Worldwide box office receipts for Shrek and Shrek 2 totaled roughly $1.3 billion. Combined with the DVD and VHS sales, the phenomenal take was largely responsible for the success of DreamWorks Animation’s initial public offering in October or 2004.

  • DreamWorks Taps Rick Sands for Prez

    Rick Sands has been named president and chief operating officer of DreamWorks SKG, home to such animated hits as Antz, Shrek, Shrek 2, and Shark Tale. The industry veteran was wooed away from Disney’s arthouse arm, Miramax, which has been plagued with layoffs and management problems in recent months.

    Sands most recently served as COO at Miramax Films, having joined the company in 1990 as exec VP and CFO. He was instrumental in the negotiations that brought Miramax to Disney but left in 1993 to spend two years with RHI Ent. Sands returned to Miramax in 1995 as president of international and was promoted to Chairman of Worldwide Distribution in 1997.

    In his new post, Sands will primarily be responsible for overseeing the management of day-to-day operations of the private company, reporting directly to principal partner David Geffen.

  • Nick Names Kaufman Exec VP of Marketing

    Pamela Kaufman has been promoted to exec VP of marketing and worldwide promotions for Nickelodeon. In the new role, the former senior VP of marketing will be responsible for the strategic planning of worldwide programming launches as well as global partnership deals.

    Kaufman’s promotion is part of a reorganization effort by the network to support the strategic goals of the MTV Networks’ international business. Her responsibilities will broaden to include domestic and international marketing for Nickelodeon as well as promotional partnerships for the network’s digital channels–The N, Noggin, Gas and Nicktoons. She will continue to be responsible for all of the network’s domestic advertising, promotions marketing and property planning as well as the marketing of its movie business with Paramount Pictures.

    As a marketing exec, Kaufman has brokered multi-million-dollar sponsorships and created multi-platform marketing campaigns for major Nickelodeon properties and Nick brands such as SpongeBob SquarePants, Dora the Explorer, The Kids’ Choice Awards and the TEENick programming block for tweens.

    Kaufman was named Ad Age’s Entertainment Marketer of the Year for her work on SpongeBob SquarePants in 2002. Prior to joining Nickelodeon, she was VP of promotions at Turner Broadcasting System Inc., where she led the promotional efforts for such propeties as The Flintstones and Jonny Quest, and established the first worldwide Burger King Kids Meal promotion for Scooby Doo.

  • The Office Meets The Simpsons?

    Ricky Gervais, creator and star of the BBC breakout comedy hit, The Office, is set to bring his signature brand of British humor to Springfield. According to Daily Variety, The Simpsons creator Matt Groening has tapped the Golden Globe winner to write an episode of Fox’s long-running animated series.

    Gervais is keeping a tight lid on the storyline of his Simpsons installment, for which he will also lend his voice. All that is known is that he will not be reprising his Office role for the toon.

    Groening and mutual fan Gervais let news of their teaming slip at the British Comedy Awards, where Groening accepted The Simpsons’ award for international comedy and Gervais picked up a special achievement award for writing.

    The Office was named best comedy series at last year’s Golden Globes and earned Gervais a win for Best Actor in a Comedy Series. Despite the disastrous Americanization of the hit Brit series Coupling, NBC is moving forward with plans to debut the U.S. version of The Office as a mid-season replacement this year.

  • Digital-Tutors Helps Maya Build Better Bots

    While the metallic star of Fritz Lang’s Metropolis may be the most famous lady automaton in film history, today’s artists are getting some help in creating x-chromosome robotics for the digital age. Digital-Tutors, a division of PL Studios Inc., has announced the worldwide availability of its Maya Intermediate: Female Android Modeling training kit. This latest release in a series of training resources for digital artists offers more than seven hours of training material on four discs.

    Maya Intermediate: Female Android Modeling provides users with in-depth Polygon and SubDivision surface modeling techniques. Through detail-oriented lectures, presentations and instructional hands-on projects, users will also learn High Dynamic Range Images (HDRI), shader network creation, surface conversion, rendering in mental ray, subdivision creasing, UV layouts for texturing, image plane preparations and many additional tools and techniques for creating photorealistic and production-level imagery.

    For more details on Maya Intermediate: Female Android Modeling, go to http://store.digitaltutors.com/store2/customer/product.php?productid=77. More information on special pricing, promotions and bundles can be found at www.dtstore.com.

  • Fockers Flattens Fat Albert

    Holiday moviegoers chose to Meet the Fockers rather than revisit a cartoon favorite from the ’70s and ’80s. Fat Albert, 20th Century Fox’s live-action, big-screen adaptation of the Emmy-nominated animated show created by Bill Cosby, managed to fly past Martin Scorsese’s big-budget biopic, The Aviator, but proved no match for the repairing of Ben Stiller and Robert DeNiro.

    Fat Albert earned a total of $34 million between Christmas and New Years, finishing in the top five behind Fockers and Paramount’s Lemony Snicket’s A Series of Unfortunate Events. The vfx-laden The Aviator gained some ground on the cartoon-inspired comedy but still lags behind with a two-week cumulative of around $31 million.

    Meanwhile, Warner Bros.’ CG holiday pic, The Polar Express, is still chugging along in the top 10. The big-budget engine that could finished the weekend at No. 8 with a cume of $155 million, drawing ever closer to its reported production budget of $165 million.

    The Fat Albert and the Cosby Kids debuted on CBS in 1972 and aired for 12 consecutive years. Hosted and voiced by Cosby, the series tackled real-life dilemmas with humor as it followed a group of young friends growing up in a Philadelphia neighborhood. The live-action pic, directed by Joel Zwick and starring Kenan Thompson, has Albert and the boys magically pulled out of their 2D, animated TV existence and thrust in our modern world.

  • Cartoons on the Bay Calls for Entries

    Organizers of the ninth annual Cartoons on the Bay festival in Positano, Italy, have issued a call for entries. The International TV animation exhibition and competition is open to anyone who has produced a new animated series, pilot, TV special, short-film or social/educational program.

    Entries for 2005 the Pulcinella Awards are due by Feb. 15. Programs can be entered directly from the Festival web site at www.cartoonsbay.com, where interested parties will also find rules and regulations.

    Last year’s big winners included Bill Plympton’s short, Guard Dog; Sci-Fi Channel/Cinegroupe’s 3D series, Tripping the Rift; Konstantin Bronzit’s CG short, The God; and the Aardman Animation/ITV1 series, Creature Comforts. Read more about the 2004 results at www.animationmagazine.net/article.php?article_id=2424.

  • Disney Toons Go Interactive at 3-PLUS

    Preschoolers in Europe will soon get three new interactive adventures based on popular Disney animated properties. Through a licensing agreement with Buena Vista Games, 3-PLUS Ltd will publish Disney Princess, Disney Winnie the Pooh and Disney’s The Lion King titles under its dvd-kids banner.

    The dvd-kids interactive product from 3-PLUS is a kid-friendly controller compatible with all standard DVD players for the pre-school market. Distribution for the patented device is taken care of in each European market by local key distributors. For North America, 3-PLUS granted distribution and game development rights to Fisher Price, which markets the line under the name InteracTV.

  • Lion King 1 1/2 Rules DVD Exclusive Noms

    It’s good to be the king, especially when it comes times to dish out kudos for the home entertainment market. Disney’s direct-to-video sequel, The Lion King 1 1/2, led the pride with a total of 11 nods for the 2004 DVD Exclusive Awards. Winners will be announced on Tuesday, Feb. 8, 2005 at the Annenberg Building at the California Science Center in Los Angeles. The gala event’s cocktail reception begins at 6:30 p.m. and dinner and the awards show start at 7:30 p.m.

    Produced by George A. Mendoza, The Lion King 1 1/2 is up for Best Animated DVD Premiere Movie, along with Miramax/Disney’s Bionicle 2: Legends of Metru Nui and the Lions Gate titles Barbie as Princess and Pauper, Care Bears: Journey to Joke-A-Lot and Dragons: Fire & Ice.

    Lion King 1 1/2 helmer Bradley Raymond vies for Best Director (of a DVD Premiere Movie) with William Lau for Barbie as the Princess and the Pauper David Molina and Terry Shakespeare for Bionicle 2: Legends of Metru Nui, Mark Hamill for Comic Book: The Movie and Donovan Cook for Mickey’s The Three Musketeers.

    Disney dominates the Best Screenplay race with nods for The Lion King 1′ by Tom Rogers; Mickey’s Twice Upon a Christmas by Bill Motz, Bob Roth, Peggy Holmes, Chad Fiveash, James Patrick Stotereaux, Matthew O’Callaghan, Shirley Pierce, Jim Peronto, Carole Holliday, Michael Shipley and Jim Bernstein; Mickey’s The Three Musketeers by David M. Evans and Evan Spiliotopoulos; Winnie the Pooh: Springtime With Roo by Tom Rogers; and American Gun by Alan Jacobs (Miramax/Disney).

    A pair of Lion King favorites are up for Best Animated Character Performance. Timon, voiced by Nathan Lane and animated by Alexis Stadermann, is joined in the category by pal Pumbaa, voiced by Ernie Sabella and brought to the screen by supervising animator Bob Baxter. Also in the running are Tigger (Jim Cummings) from Winnie the Pooh: Springtime With Roo, Preminger (Martin Short) from Barbie as the Princess and the Pauper and Minnie Mouse (Russi Taylor) from Mickey’s Twice Upon a Christmas.

    Original Song contenders include "To Be a Princess" from Barbie as the Princess and the Pauper, "Be Prepared" from The Lion King 1′, "That’s All I Need" from The Lion King 1′, "All For One and One For All" from Mickey’s The Three Musketeers and "Way Back When" from Disney’s Where the Red Fern Grows. Competing for Best Original Score are Barbie as the Princess and the Pauper (Arnie Roth), Bionicle 2: Legends of Metru Nui (Nathan Furst), The Lion King 1′ (Don Harper) Mickey’s Twice Upon a Christmas (Stephen James Taylor) and Winnie the Pooh: Springtime With Roo (Mark Waters.)

    One award The Lion King 1 1/2 isn’t up for is Best Overall DVD, New Movie. That race is being run by The Lord of the Rings: The Return of the King–Special Extended Edition (New Line/Warner), Spider-Man 2 (Sony), The Ultimate Matrix Collection (Warner), School of Rock (Paramount) and Capturing the Friedmans (HBO/Warner).

    Extra features included in the DVD release of DreamWorks’ Shrek 2 earned the title nominations in the categories Games and Interactives, Menu Design and New Movie Scenes. The Far, Far Away Idol interactive segment in competition with the new animated short, The Cat That Looked at a King, from Mary Poppins 40th Anniversary Edition.

    On the TV side, the fifth season of Fox’s animated primetime staple, The Simpsons, is competing for Best Overall DVD, TV Program, with the live-action hits 24: Season 3 (Fox), Arrested Development: Season One (Fox), Curb Your Enthusiasm: The Complete First Season (HBO/Warner) and the long awaited Seinfeld: Seasons 1 & 2 (Sony). In addition the fourth season of The Simpsons is nominated in the Audio Commentary category, where Matt Groening and crew will take on fellow chatters such as George Lucas (Star Wars Trilogy, The Empire Strikes Back) and Peter Jackson The Lord of the Rings: The Return of the King–Special Extended Edition.

    DVD Exclusive magazine, published by Reed Business Information, is distributed to Daily Variety readers. For more information on the DVD Exclusive Awards and to see the full list of nominees, go to www.dvdexclusive.com.

  • Condorito Takes Flight to U.S.

    The Latin American comic strip, Condorito (Little Condor), may be flying north in the form of an animated TV series, according to Daily Variety. The popular funny pages feature, which has graced Spanish-language rags since its debut in Chile 55 years ago, will stay true to its Latino roots as it’s adapted for English-speaking audiences in the U.S.

    Condorito was created by René Ríos “Pepo" Boettiger in 1949. The comics follow the exploits of a friendly condor who is joined in his wacky adventures by his nephew, Condy, his curvy human girlfriend, Yayita, and his loyal dog, Byte.

    The property is owned by World Editors, a company managed by Latin American and U.S. Hispanic media vet David Taggart and Brad Bushell, a licensing and syndication consultant for Paws Inc., home of Garfield.

    The development team behind the Condorito series includes Sergio Guerrero, co-writer/producer of the feature, A Day Without a Mexican; Rick Najera, creator of the long-running, touring stage production, Latinologues; and comic actor/writer Eugenio Derbez, whose credits include Hospital el Paisa and Shrek 2.

    Visual elements for the series are being developed by Cineanimadores, the Chile-based producer of the animated feature, Ogu & Manpatu, and other Latin American Disney projects.

  • NBC Fathoms Sci-fi Show

    With ABC finding a huge audience and even bigger ad revenues with its supernatural action/adventure series, Lost, NBC is testing similar waters, according to The Hollywood Reporter. The network has ordered a pilot for Fathom, a deep-sea sci-fi actioner from NBC Universal Television that is sure to feature a good deal of digital effects work.

    Created by the twin brother writing/directing team of Josh and Jonas Pate (The Grave, Deceiver), Fathom takes cues from James Cameron’s The Abyss as it investigates mysterious creatures living in the ocean depths. The Pates will direct and exec produce the pilot from a script they wrote. The brothers return to network TV after co-executive producing Dick Wolf’s failed ABC cop show, L.A. Dragnet.

  • MTV-2 Rocks Happy Tree Friends Holiday Show

    When we reported that 15 MTV International channels were airing the new Happy Tree Friends holiday special, we were wondering if any U.S. broadcasters would have the cajones to broadcast the gruesomely funny show about cute, catastrophe-prone woodland creatures. Today there’s good news form producer Mondo Media Prods., which announced that Happy Tree Friends Winter Break will run eight times on MTV-2 starting Christmas Eve.

    MTV-2 will be the first U.S. broadcaster to air the adult-targeted Happy Tree Friends, which became a cult hit on the festival circuit and with its three DVD releases. The property has even spawned a line of licensed products sold at major music retailers around the world.

    The Christmas special will feature the debut of three brand-new holiday-themed episodes, in addition to existing installments such as last year’s Yule Tide hit, “Class Act,” and the “Christmas Kringles” animated greeting cards.

    All MTV International channels currently airing the Happy Tree Friends series of animated shorts, including MTV’s various European, Latin American and Asian channels, will air the holiday special.

    Happy Tree Friends Winter Break will premiere on MTV-2 on Friday, Dec. 24 at 5:30 p.m., with rebroadcasts on Saturday, Dec. 25, at 12:30 a.m. and 6 p.m.; Sunday, Dec. 26, at 1 a.m., Monday, Dec. 27, at 10 p.m.; Wednesday, Dec. 28, at 12:30 a.m.; Thursday, Dec. 29, at 10:30 p.m.; and Friday, Dec. 30, at 2:30 a.m. A portion of the program will be available for viewing online at www.happytreefriends.com.

  • The Nicktoons Film Festival Announces Screening: 10–The "Friends & Enemies" Show

    The Nicktoons Film Festival continues this Sunday with Screening 10– a selection of eight shorts that deal with folks we adore and folks who are a bit more challenging. A co-production of Frederator Studios and Animation Magazine for Nicktoons, The Nicktoons Film Festival airs on the Nicktoons cable channel Sunday nights 10 p.m. (EST) and 7 p.m. (PST), with a repeat at 1 p.m. (EST) and 10 p.m. (PST). The films featured in Screening No. 10–"The Friends & Enemies" Show are: The Wild Wild Circus Company from Canadian filmmakers Jean-Christian Knaff and Claude Micelli for indie-house Nelvana; Loco Melones from award-winning filmmaker Izabela Bzymek; Playing Cricket from NASA/JPL robotics engineer Jack Morrison; Beach Booty from CalArts grad Alex Hirsch; Fool Throttle from ReelWorks Animation Studio filmmakers Todd Hemker and Morgan Williams; Monkey, Monkey from New York-based filmmaker Melissa Jordan; Rustbuckets: The Last Rainforest from Australian filmmakers Daniel Kouts and Paul Harmon; and Six Snails Snoring from fine arts lawyer Charles Danziger.

    The Nicktoons Film Festival:

    Screening: 10–The "Friends & Enemies" Show

    Airdate & Time: Dec. 26, 2004, 10 p.m. (EST); 7 p.m. (PST), Nicktoons

    Film #1: The Wild Wild Circus Company: Fishy Memories (Length: 5:00; 3D animation with 2D textures)–Jean-Christian Knaff and Claude Miceli Knaff are a husband and wife team with expertise in illustration and sculpture. In addition to running their own studio, Knaff and Miceli, the two some have created an endearingly different series of shorts for Nelvana called The Wild Wild Circus Company. The story of two young acrobats, Nice and Bijou, who meet in a beautiful park, The Wild Wild Circus is a flight into the imagination. The episode we picked to show you is called Fishy Memories and involves performer Bernard as he remembers his unique childhood. (To find out more about the filmmakers and other Wild Wild Circus Company shorts produced for Canada’s major indie house, Nelvana, e-mail funpak@corusent.com.)

    Film #2: Loco Melones (Length: 1:20; 3D animated in Softimage XSI)–Aren’t you glad you have your holiday shopping done? Now it’s time to get back to real life and the annoyance of little things, like the grocery store. In Loco Melones, filmmaker Izabela Bzymek turns a visit to a rather downtrodden little market into a Laurel & Hardy-esque parody of the everyday. Bzymek explains that the concept for her prize-winning short actually came from her boyfriend, who helped her sift through dozens of ideas. "We were both taking up 3D at the time and I had so many ideas, I couldn’t pick one. Mike suggested, jokingly, ‘Why don’t you do two old biddies fighting in a market?’ I thought, ‘Well, that’s not bad. I put a little story behind it and, voila! Loco Melones!" Ahh…if only everything were that easy! (To contact Izabela Bzymek e-mail her at ibzymek@yahoo.com or check out her illustration website, www.faeriesarereal.com.)

    Film #3: Playing Cricket (Length: 1:40; 3D animated in Hash’s AnimationMaster)–As most of us know, the online dating thing isn’t all it’s cracked up to be. Humans, though, aren’t the only animals that have a hard time finding their soulmate. In Jack Morrison’s clever take on insect mating, crickets do, too! Says Morrison, "During their mating season, crickets like to invade our house, and their favorite spot is under the tracks of the largest sliding glass doors they can find. It got me thinking about how clever they are to pick the best spot for amplifying that annoying noise they make, and I wondered what extremes a cricket might go to boost his odds." Let’s just say, "all" extremes! (To reach Jack Morrison, e-mail him at jack@digins.com or check out some of the work he’s completed as a robotics engineer for NASA/JPL. Jack animated "Rover Navigation 101," at

    http://marsrovers.jpl.nasa.gov/gallery/video/animation.html)

    Film #4: Beach Booty (Length: 1:27; 2D, edited in Adobe Premiere and After Effects)–Oh, the perils of sunbathing. Here’s what filmmaker Alex Hirsch has to say about the creation of his wonderfully uncomfortable short: "I made Beach Booty for my CalArts freshman year film," explains Hirsch. "First year shorts are required to be under 90 seconds, in black and white, so I needed to come up with a fun, simple story that would communicate quickly. Over winter break, I was cleaning out my garage when I found this old metal detector I used to have as a kid. Even though I never found much of anything, I always loved the idea that under the sand could be some kind of hidden treasure. That kind of thing really fueled my imagination, and I thought it would be a good jumping off point for a short." (You can contact Alex Hirsch through his e-mail address, Fezguy@hotmail.com.)

    Film #5: Fool Throttle (Length: 5:00; Flash)–Talk about stylish and retro, filmmakers Todd Hemker and Morgan Williams really come off the line fast with Fool Throttle. Admittedly macabre, Fool Throttle is a cautionary tale that, according to these filmmakers from Minneapolis-based ReelWorks, offers a message of peace. The project started as simply ‘quirky eye candy’ bumpers for the commercial house’s demo reel. In the storyboard phase, exec producer Audrey Robinson Favorito challenged Hemker and Williams to take their scooter character to the next level and make it a real story. The filmmakers explain, "We drew inspiration from Dr. Seuss’s The Butter Battle Book. We liked how there is no clear innocent or guilty party in The Butter Battle, and how the entire conflict escalates over nothing but a matter of taste. Fool Throttle’s story of road rage is a bit like The Butter Battle, an innocent misunderstanding that leads to pointless aggression." As we all know, pointless aggression makes for really good cartoons! (To learn more about the filmmakers and their company, go to www.realworks.com.)

    Film #6: Monkey, Monkey (Length: 2:18, 2D animation)–Oh, that little green monster does create conflict, doesn’t he? In the case of Melissa Jordan’s funny short, that least attractive of all traits is the main subject. Says Jordan, "I came up with the idea for Monkey, Monkey in storyboarding class at the School of Visual Arts. My teacher was the legendary Howard Beckerman and he asked us to create a storyboard on the topic of jealousy. I ended up making a whole film about it. I think the idea of using monkeys and a tropical theme comes from Florida, where I grew up." Jordan is working in New York at Funny Garbage, a web-design house. (To reach Melissa Jordan, e-mail her at melissasaurus@aol.com.)

    Film #7: Rustbuckets: The Last Rainforest (Length: 3:00; CG animation)–Filmmaker Daniel Kouts says, "The films, TV shows and animated stories I’ve enjoyed the most are the ones that don’t rely on dialogue." One of his favorite examples is The Road Runner; another is Mr. Bean. The central character in Kouts’ 13×3 Rustbucket series, is Klank–a 24th-century robot who works as a janitor in an aging museum of the 20th century. "Klank has his comedic roots in the great silent film era comics–Chaplin, Keaton," adds Kouts, who worked with producer Paul Harmon, to develop the property. Of the several delightful Rustbucket shorts, we selected The Last Rainforest for its solid animation, whimsical tale and dash of pathos. Kouts has worked for such Australian houses as Animal Logic and Filmgraphics Prods. Harmon is an award-winning filmmaker/producer running his own ad agency downunder. The Australian Film Commission and SBC Television funded the pilot episode of the series. (For more information on Rustbuckets go to www.thinkingpictures.com.au.)

    Film #8: Six Snails Snoring (Length: 3:00; Flash)–By day, Charles Danziger poses as a lawyer for fine artists, but here at the film festival we know he’s a talented animator to boot. Although Danziger explains that his film was created to help kids calm down at night, we found that it also has a wonderfully mesmerizing effect on adults. We kept watching it over and over without realizing it. "The idea behind Six Snails Snoring is that young children can learn to count as they go to bed, while at the same time literally counting down to bedtime," says Danziger. "I have tried to put each animal in imaginative scenes that are appealing to kids, such as fish eating French Fries, and peacocks playing ping-pong. By the end of the movie, the child will have sung good night to the animals, all ten of them will be happily snoring and, ideally, the child will be, too. The film’s extraordinarily talented composers, Drew Hemenger and Philip Carroll, managed to create the perfect, whimsical music to give each animal a distinct personality–and to send them off to sleep." (To contact Charles Danziger, e-mail him at charles@danziger.com. To see more of his animation, go to www.crunchyworld.com.)

  • Roger Moore Plays Santa for UNICEF

    You just gotta love Roger Moore. After playing James Bond on the big screen, the accomplished British actor has shown up on the web, trading in his Astin Martin for a red sleigh as Santa Claus in an animated short produced in support of UNICEF.

    The Internet exclusive, titled The Fly Who Loved Me, is directed by Dan Chambers, who is working on Tiger Aspect’s preschool animated series Charlie and Lola, which is set air on BBC, Disney Channel and TF1 in 2005. The story has Santa plagued by a pesky fly who just may be the key to saving Christmas.

    The Flash-animated short was produced by Olly Smith, a scriptwriter and performer who has recently been contributing to DreamWorks’ upcoming Wallace and Gromit feature. He is also working as a scriptwriter on the toon shows Pingu and The Koala Brothers.

    Chambers previously produced a homemade animated short titled Roger Moore’s Requiem, which absurdly featured the actors head pasted onto a variety of plant and animal bodies. When Moore suffered a stroke on stage, chambers sent him a copy of the cartoon to give him a chuckle as he recovered. Moore reportedly loved it and agreed to work with Chambers and Smith on a pilot episode of Sir Roger Moore: Spaceman.

    While working on Spaceman, Smith and Chambers were inspired by Moore’s dedication to UNICEF and decided to make The Fly Who Loved Me to support the cause during the holiday season. Check it out at www.flywholovedme.com.

  • Voom May Get the Broom

    Daily Variety reports that New York-based Cablevision may dissolve or sell off its HDTV satellite service, Voom, home to nearly 40 high-definition channels including Animania and Monsters HD. Launched in October of 2004, Voom was set to anchor a now defunct spinoff of Cablevision’s Rainbow Media, which includes cable outlets AMC, WE and IFC.

    Voom has failed to show cablevision a return on its $150 million investment, mostly because it hasn’t been able to compete with DirecTV and EchoStar, which both offer HDTV programming. If Voom indeed goes on the auction block, EchoStar has been identified as the likeliest buyer, according to the trade.

    Animania on Voom airs such animated series as 2020, Horrible Histories, The Gravediggers Squad, Ratz, Dan Dare–Pilot of the Future and Voltron: The Third Dimension, as well as cartoon classics such as The Pink Panther, Dick Tracy, Mr. Magoo and Felix the Cat.

  • Spider-Man 2 to Christen Sony’s 4K Projector

    Columbia Pictures’ CG-loaded blockbuster, Spider-Man 2, has been chosen to be the first major motion picture to be presented using Sony’s new uncompressed 4K Digital Projection System. The invitation-only screening will take place on Jan. 13 at the Entertainment Technology Center’s Digital Cinema Lab at the Hollywood Pacific Theatre.

    A panel discussion on the movie’s production will precede the screening at 7 p.m. Participating are editor Bob Murawski, sound designer and sound effects editor Paul Ottosson, supervising sound mixers Greg Russell and Kevin O’Connell, and visual effects supervisors John Dykstra and Scott Stokdyk.

    "A very talented team of people worked incredibly hard to bring these amazingly detailed images to life" notes Yair Landau, vice chairman of Sony Pictures Ent. and president of Sony Pictures Digital. "Sony’s 4K digital projection system is the ideal vehicle for screening this movie in the most dramatic and visually appealing manner, truly showing off all the care and effort that went into this production."

    The new projector is powered by advanced visualization and shared storage systems from Silicon Graphics. It uses a Silicon X-tal Reflective Display (SXRD) imaging panel to achieve a 4096 x 2160 pixel resolution, nearly four times the pixel count of current HD displays.