Author: Ryan Ball

  • Wallace & Gromit Leads Annie Noms

    DreamWorks Animation’s and Aardman Animations’ clay-animated feature, Wallace & Gromit: The Curse of the Were-Rabbit came out on top as ASIFA-Hollywood today announced the nominees for the 33rd annual Annie Awards, the toon industry’s biggest kudo fest. The plasticine comedy bagged 15 nods in all, including one for Best Animated Feature.

    In the race for Best Animated Feature, Wallace & Gromit is up against fellow DreamWorks release Madagascar, Warner Bros.’ Tim Burton’s Corpse Bride, Disney’s presentation of Studio Ghibli’s Howl’s Moving Castle and Disney’s Chicken Little. This could be one of the more interesting showdowns in years given there’s no obvious frontrunner as Pixar’s Incredibles was last year and Finding Nemo the year prior.

    An obvious favorite with Annie voters, Wallace & Gromit garnered a directing nomination for Nick Park and Steve Box, who square off against master filmmaker Hayao Miyazaki (Howl’s Moving Castle) and the team of Tim Burton and Mike Johnson (Corpse Bride). Park and Box are also nominated for writing (with Mark Burton) and Park has been singled out for character design. Other members of the film’s crew picked up individual achievement nods as the pic snagged three out of five slots in the Character Animation category and earned nominations for production design, storyboarding, music and animated effects.

    One category Wallace & Gromit completely dominates is Voice Acting in an Animated Feature Production. The film’s cast is left to duke it out amongst themselves as franchise regular Peter Sallis (Wallace) takes on Helena Bonham Carter (Lady Campanula Tottington), Ralph Fiennes (Victor Quartermaine) and Nicholas Smith (Reverend Clement Hedges).

    Television series up for the top award are Nickelodeon’s AVATAR: The Last Airbender, Nickelodeon/Frederator’s My Life As A Teenage Robot, Warner Bros. Animation’s The Batman and Cartoon Network Studios’ Foster’s Home for Imaginary Friends and Star Wars: Clone Wars II (Chapters 21-25). The most TV nods went to Foster’s Hom with five total, including a directing nomination for series creator Craig McCraken. The show is also up for production design, music and character design.

    Up for Best Animated Short Subject are Atomic Television/Plymptoons Prods.’ The Fan and The Flower, Laika’s Moongirl, John Canemaker Prods.’ The Moon and The Sun: An Imagined Conversation, Klasky Csupo’sMilch and Stretch Films Inc.’s Life in Transition.

    Best Home Entertainment Production is a race between Creative Capers Ent.’s Bionicle 3: Web of Shadows, Warner Bros. Animation’s The Batman Vs Dracula and the DisneyToon Studios entries Kronk’s New Groove, Lilo & Stitch 2: Stitch Has A Glitch and Tarzan II. Meanwhile, interactive home entertainment gets some love this year as Double Fine Prods. Inc.’s Psychonaut, Capcom’s Resident Evil 4, Activision’s Ultimate Spider-Man and THQ’s SpongeBob SquarePants: Lights, Camera, PANTS! and Tak The Great Juju Challenge compete for Best Animated Video Game.

    Corpse Bride will get this year’s Ub Iwerks Award, one of several kudos predetermined by an ASIFA jury. Animator, producer and story man Mark Kausler (The Lion King, Hi Hi Puffy Ami Yumi) will receive the June Foray Award for significant and benevolent or charitable impact on the art and industry of animation, while the Winsor McCay Lifetime Achievement Award goes to background/layout artist Cornelius Cole (The Pink Panther & Friends), background artist Tyrus Wong (Bambi) and director Fred Crippen (Roger Ramjet).

    The 2005 Annie Award ceremony will be held on Feb. 4 at the historic Alex theater in Glendale, Calif. To see the full list of nominations, go to www.annieawards.com/foryourconsideration.htm.

  • Wallace & Gromit Leads Annie Noms

    DreamWorks Animation’s and Aardman Animations’ clay-animated feature, Wallace & Gromit: The Curse of the Were-Rabbit came out on top as ASIFA-Hollywood today announced the nominees for the 33rd annual Annie Awards, the toon industry’s biggest kudo fest. The plasticine comedy bagged 15 nods in all, including one for Best Animated Feature.

    In the race for Best Animated Feature, Wallace & Gromit is up against fellow DreamWorks release Madagascar, Warner Bros.’ Tim Burton’s Corpse Bride, Disney’s presentation of Studio Ghibli’s Howl’s Moving Castle and Disney’s Chicken Little. This could be one of the more interesting showdowns in years given there’s no obvious frontrunner as Pixar’s The Incredible was last year and Finding Nemo the year prior.

    An obvious favorite with Annie voters, Wallace & Gromit garnered a directing nomination for Nick Park and Steve Box, who square off against master filmmaker Hayao Miyazaki (Howl’s Moving Castle) and the team of Tim Burton and Mike Johnson (Corpse Bride). Park and Box are also nominated for writing (with Mark Burton) and Park has been singled out for character design. Other members of the film’s crew picked up individual achievement nods as the pic snagged three out of five slots in the Character Animation category and earned nominations for production design, storyboarding, music and animated effects.

    One category Wallace & Gromit completely dominates is Voice Acting in an Animated Feature Production. The film’s cast is left to duke it out amongst themselves as franchise regular Peter Sallis (Wallace) takes on Helena Bonham Carter (Lady Campanula Tottington), Ralph Fiennes (Victor Quartermaine) and Nicholas Smith (Reverend Clement Hedges).

    Television series up for the top award are Nickelodeon’s Avatar: The Last Airbender, Nickelodeon/Frederator’s My Life As A Teenage Robot, Warner Bros. Animation’s The Batman and Cartoon Network Studios’ Foster’s Home for Imaginary Friends and Star Wars: Clone Wars II (Chapters 21-25). The most TV nods went to Foster’s Home with five total, including a directing nomination for series creator Craig McCraken. The show is also up for production design, music and character design.

    Up for Best Animated Short Subject are Atomic Television/Plymptoons Prods.’ The Fan and The Flower, Laika’s Moongirl, John Canemaker Prods.’ The Moon and The Son: An Imagined Conversation, Klasky Csupo’sMilch and Stretch Films Inc.’s Life in Transition.

    Best Home Entertainment Production is a race between Creative Capers Ent.’s Bionicle 3: Web of Shadows, Warner Bros. Animation’s The Batman Vs Dracula and the DisneyToon Studios entries Kronk’s New Groove, Lilo & Stitch 2: Stitch Has A Glitch and Tarzan II. Meanwhile, interactive home entertainment gets some love this year as Double Fine Prods. Inc.’s Psychonaut, Capcom’s Resident Evil 4, Activision’s Ultimate Spider-Man and THQ’s SpongeBob SquarePants: Lights, Camera, PANTS! and Tak The Great Juju Challenge compete for Best Animated Video Game.

    Corpse Bride will get this year’s Ub Iwerks Award, one of several kudos predetermined by an ASIFA jury. Animator, producer and story man Mark Kausler (The Lion King, Hi Hi Puffy Ami Yumi) will receive the June Foray Award for significant and benevolent or charitable impact on the art and industry of animation, while the Winsor McCay Lifetime Achievement Award goes to background/layout artist Cornelius Cole (The Pink Panther & Friends), background artist Tyrus Wong (Bambi) and director Fred Crippen (Roger Ramjet).

    The 2005 Annie Award ceremony will be held on Feb. 4 at the historic Alex theater in Glendale, Calif. To see the full list of nominations, go to www.annieawards.com/foryourconsideration.htm.

  • SCI FI Explores The Triangle

    Tonight marks the debut of SCI FI Channel’s expensive miniseries, The Triangle, a supernatural thriller boasting a star-studded cast and promising visual effects work. The three-night primetime event even has a blockbuster pedigree in the form of Independence Day producer Dean Devlin and X-Men director Bryan Singer, who serve as exec producers and collaborated on the story, which was fleshed out by Rockne S. Obannon, creator of the erstwhile SCI FI series Farscape.

    The Triangle stars Sam Neil as a billionaire industrialist who assembles a group of disparate professionals to investigate strange disappearances that are crippling his shipping operations. Things take an even deadlier turn when the military takes an interest in their expedition into the unknown. Eric Stolz, Catherine Bell and Lou Diamond Philips lead the cast.

    Visual effects for The Triangle were supervised by the team of Volker Engel and Marc Weigert, who earned an Academy award for their work on Independence Day. You can check out all the creepy goodness starting tonight, Dec. 5, at 9 p.m./8 p.m. central on SCI FI Channel. Behind-the-scenes materials and more can be found at www.scifi.com/triangle.

  • Flux No Match for Potter

    Not even the cat-like moves of star Charlize Theron could put Paramount Pictures’ Aeon Flux past the Warner Bros. blockbuster Harry Potter and the Goblet of Fire. The latest pubescent wizard adventure continued its winning streak for the third consecutive weekend, picking up an estimated $20.4 million to bring its domestic take to nearly $230 million.

    The only major release to challenge Goblet, the $60 million Aeon Flux debuted to just $13 million. Despite the gutsy placement, Paramount didn’t exhibit much faith in the film, keeping it from the eyes of critics prior to its bow. One area that may have received high marks is the vfx work by Digital Domain, The Orphanage, Hydraulx and CIS Hollywood. The studios were charged with the daunting task of matching the dazzling visuals of Peter Chung’s 1995 animated MTV series which inspired the big-screen actioner.

    Fox’s Johnny Cash biopic, Walk the Line, remains strong at No. 3 with around $10 million for the weekend and a three-week haul nearing $70 million. Other Potter scraps were snatched up by Paramount’s Yours, Mine and Ours, which made an estimated $8.4 million for a fourth place finish, and New Line’s Just Friends, rounding out the top five with around $5.6 million.

    The reign of Harry Potter is likely to come to an end this coming weekend as Disney and Walden Media unleash their big-budget, vfx-laden adaptation of C.S. Lewis’ The Chronicles of Narnia: The Lion, the Witch and the Wardrobe. Read about the film’s extensive digital effects work by ILM, Sony Pitures Imageworks and Rhythm & Hues in the December issue of Animation Magazine, available now at Barnes & Noble and other fine booksellers.

  • L.A. Gains 39 Pounds of Love

    If you live in the Los Angeles area, you can now check out the feature film 39 Pounds of Love, an inspirational and humorous documentary about an Israeli man who manages to be a 3D animator despite suffering from a rare form of muscular dystrophy.

    Directed by Dani Menkin, the film features some CG animation clips as it explores the life and loves of Ami Ankilewitz, a man who weighs just 39 pounds and can only move one finger on his left hand. The camera follows him as he parts with the woman he loves and returns to the United States to confront the childhood doctor who predicted he wouldn’t live past the age of 6. During the course of his adventure, he comes to terms with a major incident from his past and pursues his lifelong dream of riding a Harley Davidson motorcycle.

    39 Pounds of Love recently won the 2005 Israeli Academy Award for Best Feature Documentary. The pic made its West Coast premiere at the Nuart Theater in Santa Monica over the weekend and continues its run through Thursday, Dec. 8.

  • EA Develops in Singapore

    Electronic Arts today announced that it is setting up a development studio in Singapore. Based in the heart of the city, the facility will focus on localizing popular EA games in at least five different languages for distribution throughout Asia. The development team is already in place and the first titles to be customized are now shipping.

    In its efforts to develop Singapore into a digital media capital, the country’s Economic Development Board has been attracting top-tier companies such as Lucas Animation, which will produce the CG-animated Star Wars: Clone Wars television series and other projects there.

    Jon Niermann, president of EA Asia Publishing, comments, “Singapore offers everything we need to build a world class creative organization. The Economic Development Board has been very supportive and we are looking forward to working closely with them to build a positive local presence.”

    Managed by VP of operations Irene Chua, the team of 20 professionals from Japan, Korea, Taiwan, Singapore and Holland will develop online games in addition to tailoring existing titles for various regions. EA’s publishing business in Singapore will be overseen by Chris Thompson, VP and general manager of EA Southeast Asia, who was previously located in Tokyo.

  • AEAF Sneaks Kong in Sydney

    The 11th annual Australian Effects & Animation Festival (AEAF) will feature a special sneak preview of Peter Jackson’s eagerly awaited remake of King Kong at the Sydney Convention Centre on Tuesday, Dec. 6 at 9 a.m. The film will be unleashed on cinemas worldwide on Dec. 14.

    Australian vfx Supervisor Ben Snow will open the Festival with detailed insight into the making of Kong, a CG-laden update of the classic 1933 monster movie directed by Merian C. Cooper and Ernest B. Schoedsack, and featuring stop-motion animation effects by Willis O’Brien.

    Snow joined the vfx masters at Jackson’s Weta Digital (New Zealand) in October 2004. He previously worked for Industrial Light & Magic, where he played a leading role in research and development for such blockbuster films as Pearl Harbor, The Mummy, Deep Impact and Twister. In 2002, he was made visual effects supervisor on Star Wars: Episode II’Attack of the Clones, for which he was received his second Academy Award nomination for Best Achievement in Visual Effects (his first was for Pearl Harbor).

    In addition to the Kong preview, this year’s Australian Effects & Animation Festival (Dec. 6-8) boasts presentations on the making of Disney/Walden Media’s The Chronicles of Narnia: The Lion the Witch and the Wardrobe, Warner Bros.’ Charlie & the Chocolate Factory, Disney/Pixar’s The Incredibles, 20th Century Fox’s Star Wars: Episode III’Revenge of the Sith and more.

  • WAC is Now Online!

    Visit Animation Magazine‘s Film Fest!

    We’re pleased as punch to announce the launch of World Animation Celebration (WAC), our new online short film festival sponsored by Bauhaus Software. Everybody gets a FREE, all-access pass to see some of the best new animated shorts from around the world’all streaming directly to your PC! Just log on to www.animationmagazine.net/wac to view the movies. You can even be part of our viewer jury by voting for your favorites! (Some films may not be suitable for children, as indicated in their descriptions. Parental guidance is advised).

    Each quarter, reader voting will determine one winner to continue on to the year-end Grand Prize finals. In addition to world-wide exposure, winners will receive Bauhaus software products and other prizes to be announced at a later date. We’re accepting submissions on a rolling basis, so there’s still time to get your own shorts in. Submission forms and information can be found at www.animationmagazine.net/wac_entry_form.html. There is no submission fee.

    In addition to the short film competition, the WAC site will feature original animated web series, web comics and other fun extras to keep you entertained at home, at work and on the go. Got a web series or comic you want to see included? Send it to us via the WAC submission site and we’ll check it out!

    For information on our sponsor, Bauhaus Software, go to www.bauhaussoftware.com. Other sponsorship opportunities are currently available. To be a WAC sponsor, contact us at 818-991-2884.

  • BBC America Debuts Creature Comforts

    At long last, basic cable subscribers in the U.S. can enjoy broadcasts of Aardman Animations’ Creature Comforts, a series created by Wallace & Gromit: The Curse of the Were-Rabbit director Nick Park. An extension of Park’s Oscar-winning 1989 short film of the same name, the show features clay animals animated to audio interviews of ordinary British citizens. It debuts tonight, Dec. 2, at 8 p.m. PT/11 p.m. ET on BBC America.

    Directed by Aardman’s Richard Goleszowski, the man behind cult favorite series Rex the Runt, the Creature Comforts series consists of nine half-hour episodes in which discussions of ordinary things take on whole different meanings when coming out of the mouths of various critters. The show debuted in the U.K. in 2003 and was a hit with BBC viewers of all ages, prompting Aardman to go into production on a second season.

    Aardman recently announced plans to produce an Americanized version of Creature Comforts for U.S. television. The show will be one of a number of television projects the Bristol toon studio will develop with Gotham Group. Aardman is also producing a computer-animated kung fu chicken series titled Chop Socky Chooks. In addition, the company is working with Decode Ent. on Planet Sketch, a kids’ comedy that airs on Canada’s TELETOON, while the feature division produces the CG flick Flushed Away, its third feature collaboration with DreamWorks Animation.

  • Aeon Flux Redux

    Ten years after Peter Chung’s animated cult-favorite debuted on MTV, Aeon Flux arrives on the big screen today with the long-awaited release of Paramount Pictures’ live-action feature staring Oscar winner Charlize Theron. Directed by Karyn Kusama (Girl Fight), the futuristic sci-fi thriller offers up hardcore action and a healthy dose of cheesecake in its bid to take the top spot from the latest Harry Potter installment.

    Theron plays Aeon Flux, the top underground operative at war with the totalitarian regime governing what appears to be a perfect society. On the front lines of a rebellion, she must use her cunning and exceptional combat skills reveal a world of secrets. Francis McDormand, Marton Csokas and Pete Postlethwaite co-star.

    Produced by Gale Anne Hurd of Valhalla Motion Pictures and David Gale of MTV from a screenplay by Phil Hay and Matt Manfredi, Aeon Flux is the only major release to challenge Warner Bros.’ blockbuster Harry Potter and the Goblet of Fire. After two weeks, the wizard flick still has the upper hand since Flux is rolling out in 1,000 fewer theaters.

    Aeon Flux features a heaping helping of visual effects by Digital Domain, The Orphanage, Hydraulx and CIS Hollywood. You can read all about Digital Domain’s contributions in the December issue of Animation Magazine, now available at Barnes & Noble and other fine booksellers.

    Information on Dark Horse’s Aeon Flux comic book series and a trailer for the Majesco video game can be viewed at www.aeonflux.com. You can also pick up the recently released three-disc DVD box set of the original animated series featuring commentary by Chung and the cast and crew, as well as the pilot episode, the original shorts, featurettes, production art and other shorts from MTV’s Liquid Television block. The set is available from Paramount for the list price of $39.98.

  • Artsy Guys, F.Dice Create Monster

    Artsy Guys Prods. has teamed with animation house F.Dice Studios, U.K. to produce a feature-length, 3D animated children’s film titled Mightiest Little Monster. Geared to kids 6-11, the pic is described as ‘a bit like Transformers for the Fischer-Price set.’

    Directing the film is Bob Fuentes, who has produced more than 70 CG-animated shows for Hallmark in India. In the story, the first mini-truck is born into Truck Town and is branded an outcast. When his mother is sentenced to the scrap yard, the tyke is befriended by Cranky and the tool gang, who give our little hero some big upgrades in time take on monster truck baddies Big Al, Night Train and Grim Reaper and save the day. Artsy Guys expects to receive the first animation tests from F. Dice this month.

    ‘F. Dice was the perfect choice as a partner in developing this project,’ says Artsy Guys president and CEO Vince Trankina, an alumnus of Hanna Barbera Prods, Marvel Animation and New World Animation. ‘It is a European corporation with access to Euro funding, distribution and tax subsidies, and has a production studio in Latvia with a complete digital studio and incredible group of artists who are equally talented in conventional and digital animation.’

    Mightiest Little Monster is the first in a series of projects in development at Artsy Guys, which is also focusing on marketing the property with a line of toy trucks that children can customize. The toys are being designed by Doyle Trankina, a graduate of USC and a veteran sculptor at the Los Angeles County Natural History Museum. He will also be contributing to the overall design of the feature.

    In addition to overseeing production on Mightiest Little Monster, Vince Trankina is serving as co-exec producer on Sindbad the Dreamquest, a film being produced by Cinegroup, Montreal.

  • Ctrl+Alt+Del Comic Gets Animated

    Blind Ferret Ent. (BFE) is developing an animated series based on the popular gaming web comic Ctrl+Alt+Del, created by Tim Buckley in 2002. Financed entirely by BFE, Ctrl+Alt+Del: The Animated Series is scheduled to launch on Feb. 1, 2006, with one new four-minute episode to follow each month at www.cad-animation.com.

    “I had been approached by other companies before about animating the Ctrl+Alt+Del universe, but BFE was the only team with the experience and skills to turn this into a reality,’ says Buckley. ‘We’ve been working very closely, and I couldn’t be happier with the show we’re putting together.”

    Ryan Sohmer, BFE VP and series director, adds, ‘While we’re making full use of all the new media technologies at our disposal, this series doesn’t look like a typical animation you’d see online. With a traditional 2D style, a professional voice cast and a lengthy development period, we’ve achieved television quality animation that will blow away anything else seen on the web these days.”

    BFE president and CEO Randy Waxman says the ultimate goal is to get Ctrl+Alt+Del: The Animated Series on television. ‘We know what appeal Ctrl+Alt+Del has to the key demographic sought after by network executives,’ he comments. ‘These episodes will be our pitch, as a pilot, to those networks.”

    The Ctrl+Alt+Del comics can be found at www.ctrlaltdel-online.com, where it attracts more than 300,000 readers each day, according to BFE. A trailer for the first episode is now available at www.cad-animation.com.

  • The Happy Elf Visits NBC Friday

    Just a reminder that NBC will air The Happy Elf, a new CG-animated holiday special boasting the vocal talents of Grammy and Emmy winner Harry Connick Jr., on Friday, Dec. 2, at 8 p.m. ET. The one-hour family film is produced by IDT Ent. in association with HC Prods.

    Featuring narration and all-new original holiday songs by Connick, The Happy Elf is the story of Eubie, one of Santa’s helpers, whose overly optimistic outlook is put to the test when he tries to bring Christmas joy to the sad little town of Bluesville. The voice cast also includes screen icon Mickey Rooney (The Fox and the Hound), Carol Kane (Scrooged!), Lewis Black (The Daily Show with Jon Stewart) and Rob Paulsen (Coconut Fred’s Fruit Salad Island).

    Based on Connick’s original children’s song of the same name from his 2003 album, Harry for the Holidays, the special was written by Andrew Fishman (Harry for the Holidays TV Special) from a story by Fishman and Scott Landis. Landis is a partner in HC Prods., along with Connick and Ann Marie Wilkins.

    Following the world premiere broadcast on NBC, The Happy Elf will be released on DVD by IDT Ent.’s Anchor Bay Ent. on Dec. 6. The disc will come in a push-button-activated package with blinking lights and a speaker that plays a short snippet of the title song.

    More information about the special can be found at www.thehappyelf.com, which also offers holiday activities and games for kids, sneak previews, a promotional trailer and chances to win $500 every week through Dec. 25. One Grand Prize winner will have the opportunity to meet Connick at a live performance.

  • Singapore’s Peach Blossom Blooms with Co-Pros

    Singaporean animation company Peach Blossom Media Pte Ltd has entered into three international co-production deals worth a total of S$32 million. The toon house will collaborate with South Korean studio Sunwoo Ent. and Dutch entity Submarine to produce a trio of new digitally animated 2D children’s series which have already been sold been sold to broadcasters in the U.S. and Europe.

    Sunwoo, which has produced animation for FOX’s The Simpsons and Nickelodeon’s The Rugrats, will first work with Peach Blossom on Creepie. The 26-part cartoon series about a girl raised by a family of bugs will air on Discovery Kids in the U.S. The second project for the two studios will be I Got a Rocket, a 26-episode series based on a popular picture book of the same name. The show about a boy and his talking rocket has been picked up by Germany’s Kika and Nickelodeon Australia.

    With Submarine, Peach Blossom will co-produce The Incredible Adventures of Kika and Bob, a 26-episode interactive toon series about a resourceful seven-year-old girl a not-too-clever fire-fighter who travel the globe and learn about interesting cultures. The series have been pre-sold to several European broadcasters including Discovery Kid U.K., Belgium broadcaster VRT and Swedish Broadcaster SVT.

    The Media Development Authority (MDA) of Singapore will co-invest in all three productions as part of a memorandum of understanding it signed with Peach Blossom Media last December. In its efforts to support local animation companies, MDA will contribute funds to the production of seven Peach Blossom animation projects over a three-year period. The first project covered under the deal was Wild Animal Baby, a wildlife series based on a popular pre-school magazine distributed by the National Wildlife Federation in the U.S. That show will soon be available to broadcasters.

    Peach Blossom Media’s first series, Tomato Twins, was the first original Asian show to be broadcast internationally on Nickelodeon. The company recently completed a new 52-episode series titled Taoshu the Warrior Boy, which has been scooped up by Nickelodeon for Asia, Europe, France, the Middle-east and Hong Kong. More information on the studio is available at www.peachblossommedia.com.

  • Singapore’s Peach Blossom Blooms with Co-Pros

    Singaporean animation company Peach Blossom Media Pte Ltd has entered into three international co-production deals worth a total of S$32 million. The toon house will collaborate with South Korean studio Sunwoo Ent. and Dutch entity Submarine to produce a trio of new digitally animated 2D children’s series which have already been sold been sold to broadcasters in the U.S. and Europe.

    Sunwoo, which has produced animation for FOX’s The Simpsons and Nickelodeon’s The Rugrats, will first work with Peach Blossom on Creepie. The 26-part cartoon series about a girl raised by a family of bugs will air on Discovery Kids in the U.S. The second project for the two studios will be I Got a Rocket, a 26-episode series based on a popular picture book of the same name. The show about a boy and his talking rocket has been picked up by Germany’s Kika and Nickelodeon Australia.

    With Submarine, Peach Blossom will co-produce The Incredible Adventures of Kika and Bob, a 26-episode interactive toon series about a resourceful seven-year-old girl a not-too-clever fire-fighter who travel the globe and learn about interesting cultures. The series have been pre-sold to several European broadcasters including Discovery Kid U.K., Belgium broadcaster VRT and Swedish Broadcaster SVT.

    The Media Development Authority (MDA) of Singapore will co-invest in all three productions as part of a memorandum of understanding it signed with Peach Blossom Media last December. In its efforts to support local animation companies, MDA will contribute funds to the production of seven Peach Blossom animation projects over a three-year period. The first project covered under the deal was Wild Animal Babies, a wildlife series based on a popular pre-school magazine distributed by the National Wildlife Federation in the U.S. That show will soon be available to broadcasters.

    Peach Blossom Media’s first series, Tomato Twins, was the first original Asian show to be broadcast internationally on Nickelodeon. The company recently completed a new 52-episode series titled Tao Shu the Warrior Boy, which has been scooped up by Nickelodeon for Asia, Europe, France, the Middle-east and Hong Kong. More information on the studio is available at www.peachblossommedia.com.

  • Elastic Carries Bucket Full of Dinosaurs in Iberia

    Madrid-based brand management company Elastic Rights has picked up the animated preschool series Harry and His Bucket Full of Dinosaurs, a co-production of CCI Entertainment of Canada and Collingwood O’Hare in the U.K., in association with U.K.-based Silver fox Films. Elastic Rights will distribute the 52 x 12 show across all platforms in Spain, and all platforms except free in Portugal.

    Based on the best-selling books by British author Ian Whybrow, Harry and His Bucket Full of Dinosaurs follows the adventures of five-year-old Harry and his toy dinosaur friends, which come to life when no one else is watching. The series debuted in August during the new Tickle U preschool block on Cartoon Network in the U.S., and has been picked up by Super RTL in Germany, France 5, RTP in Portugal and Disney Channel in the U.K.

    Elastic Rights has already closed broadcast deals for the series with Playhouse Disney in Spain, which will air the show Monday-Friday starting at the end of December, 2005. In Portugal, the series is set launch in late January 2006 on RTP. Other animated properties being handled by Elastic Rights in Iberia include The Cookie Jar’s Caillou, Enoki’s Flash Kicker, Mike Young Prods.’ ToddWorld and Viz Media’s Mirmo! and MegaMan NT Warrior.

  • Cartoon Network Nuts for Squirrel Boy

    Cartoon Network has begun production on a new animated series titled Squirrel Boy. The 13×30 show is being produced at Cartoon Network Studios in Burbank, Calif. and is slated to debut in the summer of 2006.

    Created and exec produced by Everett Peck (Duckman), Squirrel Boy follows the exploits of ten-year-old Andy and his best friend, Rodney, a know-it-all squirrel with a lot of big ideas. Joining them on some of their neighborhood adventures is Rodney’s best squirrel buddy, Leon, who prefers the call of the wild to Rodney’s life as a kept squirrel.

    Leon will be voiced by Tom Kenny, the voice of SponegeBob SquarePants. Other veteran voice actors tapped for the new series include Richard Horvitz (Invader Zim) as Rodney J. Squirrel, Pamela S. Adlon (Disney’s Teacher’s Pet) as Andy Johnson and Kurtwood Smith (That ’70s Show) as Andy’s father.

    Squirrel Boy joins the growing list of Cartoon Network original series, which includes the Emmy Award-winning Samurai Jack, Star Wars: Clone Wars and The Powerpuff Girls, as well as Foster’s Home for Imaginary Friends, The Grim Adventures of Billy & Mandy, The Life & Times of Juniper Lee and Camp Lazlo. Other shows currently on the production slate at Cartoon Network Studios include the half-hour series Ben 10, My Gym Partner’s a Monkey and the untitled project starring Andre Benjamin (a.k.a. Andre 3000) of the hip-hop duo Outkast.

  • Disney Cooks Up New Job for Bacon

    Daily Variety reports that former senior VP of production Bob Bacon has been upped to the newly created post of exec VP of Walt Disney Feature Animation (WDFA). Reporting to unit president David Stainton, Bacon will oversee production, finances and technology components including software development for WDFA and DisneyToon Studios.

    Bacon was instrumental in Disney’s transition from hand-drawn, 2D animation to state-of-the-art 3D production, a controversial move but one that has so far paid off with the box office success of Chicken Little. He joined Disney in 1991 as a financial analyst and was eventually named VP of finance for the feature toon division.

    Walt Disney Feature Animation is following Chicken Little with Meet the Robinsons, a CG-animated adaptation of the best-selling book A Day with Wilbur Robinson by William Joyce (George Shrinks, Rolie, Polie Olie). Slated to open in theaters nationwide in December of 2006, the film will tell the story of Lewis, a 12 year-old genius inventor who meets a mysterious boy from the future and travels forward in time and spends a day with him and his eccentric family. First-timer Steve Anderson is directing with Dorothy McKim producing.

  • Cartoons On The Bay Deadline Jan. 15

    Organizers have set Jan. 15, 2006 as the deadline for submissions for the 10th annual Cartoons on the Bay International Festival of Television Animation. The fest and Pulcinella Awards ceremony will once again be held In Positano, Italy, from April 5-9.

    Animation producers are encouraged to submit their properties in eight categories: Pre-school Series, Children’s Series, Action-Adventure Series, All Audiences Series, TV Series Pilots, Short Films, TV Specials and Social and Educational Programs. In addition to statuettes for these categories, the International Jury will award three Grand Prizes for the Best Animated Character of the Year, the Best Series of the Year and Best European Program of the Year.

    Winners of the prestigious Pulcinella Awards for 2005 included Cartoon Network’s Foster’s Home for Imaginary Friends (Best All-Audience Series), Nickelodeon’s Avatar: The Last Airbender (Best Action/Adventure Series) and Cartoon Network’s The Cramp Twins (Best Children’s Series). In addition, Foster’s Home’s Bloo won Animated Character of the Year.

    Information on the upcoming 2006 Cartoons on the Bay can be found at www.cartoonsbay.com. Competition entries can be sent to:

    Director Alfio Bastiancich

    Rai Trade – Via Umberto Novaro, 18

    00195 Roma, Italy

    tel. +39 06 37 498 315

    fax +39 06 37 515 631

    email: entry.cartoonsbay@raitrade.it

    www.cartoonsbay.com

  • DECODE, Aardman Sell Sketch to Cartoon Network Asia Pacific

    Cartoon Network Asia Pacific has acquired broadcast rights to the animated kids series Planet Sketch, a co-production of DECODE Ent. and Aardman Animations. Since debuting at MIPCOM in October, the 13 x 11 series, commissioned by CiTV and Teletoon, has also sold to Cartoon Network Latin America, ABC Australia and South African broadcaster M-Net.

    Aimed at 7-11 year olds, Planet Sketch is a rapid-fire sketch comedy format featuring a cast of recurring characters that include the mean and moody Street Rappers, the gross-out prank-loving Gnaughty Gnomes and the flatulent Parping Ponies.

    Toronto, Canada-based producer and distributor DECODE Ent. counts among its properties the animated television series Naughty Naughty Pets, Bromwell High, The Save-Ums, Franny’s Feet, King and Angela Anaconda. Based in Bristol, England, Aardman Animations is best known as the creator of DreamWorks Animation’s clay-animated features Chicken Run and Wallace & Gromit: The Curse of the Were-Rabbit, and is currently in production on its first CG feature, Flushed Away, also for DreamWorks. Another iron in the fire at Aardman is an Americanized version of its hit animated British TV series, Creature Comforts.